J. S. Bach: Matthäus-Passion/Erster Teil/Ich will bei meinem Jesu wachen (Tenor/Chor) - Gewandhausorchester Leipzig, Hans-Joachim Rotzsch, Rudolf Mauersberger, Dresdner Kreuzchor, Erhard Mauersberger, Thomanerchor Leipzig Information

Acousticness: 93%
Danceability: 29%
Energy: 15%
Instrumentalness: 5%
Liveness: 14%
Loudness: 61%
Speechiness: 5%
Valence: 26%
Popularity: 2%
Loudness: -23.444 dB

Summary

Gewandhausorchester Leipzig, Hans-Joachim Rotzsch, Rudolf Mauersberger, Dresdner Kreuzchor, Erhard Mauersberger, Thomanerchor Leipzig's 'J. S. Bach: Matthäus-Passion/Erster Teil/Ich will bei meinem Jesu wachen (Tenor/Chor)' came out on 1975. J. S. Bach: Matthäus-Passion/Erster Teil/Ich will bei meinem Jesu wachen (Tenor/Chor) is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The track order of this song in Gewandhausorchester Leipzig's "Johann Sebastian Bach: Matthäus-Passion" album is number 20 out of 68. J. S. Bach: Matthäus-Passion/Erster Teil/Ich will bei meinem Jesu wachen (Tenor/Chor) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

J. S. Bach: Matthäus-Passion/Erster Teil/Ich will bei meinem Jesu wachen (Tenor/Chor) BPM

We consider the tempo marking of J. S. Bach: Matthäus-Passion/Erster Teil/Ich will bei meinem Jesu wachen (Tenor/Chor) by Gewandhausorchester Leipzig, Hans-Joachim Rotzsch, Rudolf Mauersberger, Dresdner Kreuzchor, Erhard Mauersberger, Thomanerchor Leipzig to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

J. S. Bach: Matthäus-Passion/Erster Teil/Ich will bei meinem Jesu wachen (Tenor/Chor) Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro	Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana	D Major	3	10B	129 BPM
Flute Sonata in E Minor, BWV 1034: III. Andante	Johann Sebastian Bach, Petri Alanko, Jukka Rautasalo, Anssi Mattila	G Major	0	9B	102 BPM
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf	Edvard Grieg, Alice Sara Ott	D Major	2	10B	121 BPM
Musical Offering, BWV 1079: Canon a 4	Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana	C Minor	1	5A	81 BPM
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette	Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken	A♭ Major	3	4B	140 BPM
Keyboard Sonata in D Minor, Kk. 1	Domenico Scarlatti, Ivo Pogorelich	D Minor	1	7A	107 BPM
Gottes Zeit ist die allerbeste Zeit, Sonatina az "Actus tragicus"-ból, BWV 106	Johann Sebastian Bach, Márta Kurtág, György Kurtág	E♭ Major	0	5B	74 BPM
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio	Johann Sebastian Bach, Hilary Hahn	A Major	3	11B	126 BPM
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo	Christoph Willibald Gluck, Yuja Wang	D Minor	0	7A	70 BPM
Suite in G minor: VII. Rigaudon (Arr. A. Camden)	George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward	C Minor	1	5A	118 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6316609382629395

End: 0.6357126235961914