On January 10, 2020, the song "Relics: No. 7, Jump Dance (Gilt Bronze Leap Dancer)" was released by Michael-Thomas Foumai, Patrick Yim. With Relics: No. 7, Jump Dance (Gilt Bronze Leap Dancer) being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Patrick Yim's "Memory: Patrick Yim Plays Works for Solo Violin" album is number 15 out of 16. In terms of popularity, Relics: No. 7, Jump Dance (Gilt Bronze Leap Dancer) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Relics: No. 7, Jump Dance (Gilt Bronze Leap Dancer) by Michael-Thomas Foumai, Patrick Yim to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kartsilamades: No. 2, Moderato (Arr. Sollima) | Traditional, Giovanni Sollima, Il Pomo D'oro | B Major | 0 | 1B | 133 BPM | ||
Cavalleria rusticana: Preludio - Intermezzo | Yoko Ara, Takehiko Yamada | G Major | 1 | 9B | 92 BPM | ||
Violin Sonata No. 3 in F Major, C. 140: I. Adagio | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | A♭ Major | 1 | 4B | 66 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 2 in B Minor | Niccolò Paganini, Janusz Wawrowski | B Minor | 2 | 10A | 93 BPM | ||
Printing Kapa | Michael-Thomas Foumai, Lucia Lin, Charles Overton | G Major | 1 | 9B | 80 BPM | ||
Salut d'Amour | Edward Elgar, Duo Arnicans | C Major | 2 | 8B | 74 BPM | ||
Murder Ballades for Chamber Ensemble 7 Tears for Sister Polly | Bryce Dessner, Joe Hisaishi, ミュージック・フューチャー・バンド | F Major | 2 | 7B | 149 BPM | ||
Fünf Stücke im Volkston, Op. 102: III. Nicht schnell, mit viel Ton zu spielen | Robert Schumann, Christian Poltéra, Ronald Brautigam | F Major | 2 | 7B | 78 BPM | ||
Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi Menuetto | Johannes Brahms, Christian Poltéra, Ronald Brautigam | F Major | 2 | 7B | 78 BPM | ||
Pulcinella (Concert Suite), K34: IV. Tarantella (Transcr. for Solo Violin and Chamber Orchestra) | Igor Stravinsky, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM |
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