New York Philharmonic's 'Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio' came out on June 13, 2010. Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. The song is number 1 out of 8 in Beethoven: Symphony No. 5 & No. 7 by New York Philharmonic. Going off of the ISRC code of this track, we detected that the origin of this track is from British Virgin Islands. In terms of popularity, Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio by New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peter and the Wolf, Op. 67 (Without Narration): Andantino, come prima - Meno mosso | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | C Major | 1 | 8B | 95 BPM | ||
Lohengrin, WWV 75: Prelude to Act I | Richard Wagner, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 86 BPM | ||
Carmen Suite No. 2: Chanson du Toréador. Allegro molto moderato (Act II) | Georges Bizet, Leonard Bernstein, New York Philharmonic | F Major | 3 | 7B | 108 BPM | ||
Scheherazade, Op. 35: III. Andantino quasi allegretto "The Young Prince and The Young Princess" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 97 BPM | ||
Introduction and Tarantella, Op. 43 | Pablo de Sarasate, Joshua Bell, Nigel Hess | G Major | 1 | 9B | 106 BPM | ||
Carmen Suite No. 2: La Garde montante. Allegro (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | D Minor | 3 | 7A | 118 BPM | ||
4 Dance Episodes from Rodeo: I. Buckaroo Holiday | Aaron Copland, Leonard Bernstein, New York Philharmonic | F Major | 4 | 7B | 129 BPM | ||
Serenade | Franz Schubert, Eugene Ormandy, Philadelphia Orchestra | C Major | 0 | 8B | 91 BPM | ||
The Magic Flute, K. 620: Overture | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | E♭ Major | 1 | 5B | 90 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM |
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