Peter Dasent's 'Origami' came out on September 12, 2005. With Origami being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Peter Dasent's Wonderful Music Encyclopaedia". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Australia. Based on our statistics, Origami's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Origami by Peter Dasent having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Last Evening in Carmel | Mia Brentano, Benyamin Nuss, Deutsches Filmorchester Babelsberg, Christian Köhler | E♭ Major | 1 | 5B | 68 BPM | ||
The Hand | Isabella Summers | A Minor | 8 | 8A | 128 BPM | ||
Cercando il suo cielo lassù - Remastered 2022 | Piero Piccioni | F Minor | 4 | 4A | 126 BPM | ||
ファーレが効かない!? | Takayuki Hattori | D Major | 4 | 10B | 70 BPM | ||
Love Pledge and the Arena (from Star Wars Jedi Temple March) | Kosta Ost | B♭ Major | 6 | 6B | 174 BPM | ||
Exquisite Fatigue | Peter Dasent | E♭ Major | 0 | 5B | 122 BPM | ||
Harry Comes Home | Charlie Mole, Alastair King, The Chamber Orchestra Of London | F Major | 2 | 7B | 79 BPM | ||
Prologue / Main Title | Angela Morley, Michael Hordern | D Minor | 2 | 7A | 89 BPM | ||
Rays of Hopeful Radiance | Valentin Cadenza | F Minor | 1 | 4A | 62 BPM | ||
Funeral / Exit | Mario Nascimbene, Mario Nascimbene Studio Orchestra | F Major | 2 | 7B | 69 BPM |
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