On January 8, 2022, the song "The Nutcracker, Op. 71, TH 14 / Act 2: No. 12a Divertissement: Chocolate (Spanish Dance) - Live at Walt Disney Concert Hall, Los Angeles / 2013" was released by Pyotr Ilyich Tchaikovsky, Los Angeles Philharmonic, Gustavo Dudamel. With The Nutcracker, Op. 71, TH 14 / Act 2: No. 12a Divertissement: Chocolate (Spanish Dance) - Live at Walt Disney Concert Hall, Los Angeles / 2013 being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 92 in the song's album "Start 2022 with Tchaikovsky". In this album, this song's track order is #15. The Nutcracker, Op. 71, TH 14 / Act 2: No. 12a Divertissement: Chocolate (Spanish Dance) - Live at Walt Disney Concert Hall, Los Angeles / 2013 is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With The Nutcracker, Op. 71, TH 14 / Act 2: No. 12a Divertissement: Chocolate (Spanish Dance) - Live at Walt Disney Concert Hall, Los Angeles / 2013 by Pyotr Ilyich Tchaikovsky, Los Angeles Philharmonic, Gustavo Dudamel having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: Swan Lake, Op. 20, Act II: No. 14, Scene. Moderato | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Minor | 2 | 9A | 78 BPM | ||
The Sleeping Beauty, Op. 66, TH 13: Valse | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Andrew Mogrelia | A Major | 1 | 11B | 105 BPM | ||
Scheherazade: The Tale of the Kalendar Prince | Nikolai Rimsky-Korsakov, Joakim Svenheden | B Minor | 1 | 10A | 62 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | F♯ Major | 0 | 2B | 88 BPM | ||
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | ||
La Campanella | Franz Liszt | A♭ Minor | 3 | 1A | 124 BPM |
Section: 0.7371704578399658
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