"Le Carnaval des Animaux, R. 125: 13. The Swan (Arr. Hodge for Cello, Harp & Ensemble)" by Camille Saint-Saëns, Sheku Kanneh-Mason, Katherine Thomas, CBSO Cellos was released on November 6, 2017. The duration of Le Carnaval des Animaux, R. 125: 13. The Swan (Arr. Hodge for Cello, Harp & Ensemble) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Le Carnaval des Animaux, R. 125: 13. The Swan (Arr. Hodge for Cello, Harp & Ensemble)'s duration is considered a little bit shorter than the average duration of a typical track. Since Saint-Saëns: Le Carnaval des animaux, R.125 - 13. The Swan (Arr. Cello, Harp & Ensemble) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United Kingdom. Le Carnaval des Animaux, R. 125: 13. The Swan (Arr. Hodge for Cello, Harp & Ensemble) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le Carnaval des Animaux, R. 125: 13. The Swan (Arr. Hodge for Cello, Harp & Ensemble) by Camille Saint-Saëns, Sheku Kanneh-Mason, Katherine Thomas, CBSO Cellos having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata, Op. 6: II. Adagio - Presto | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | C Minor | 1 | 5A | 90 BPM | ||
Samson et Dalila, Op. 47: Act I: Arretez, o mes freres! | Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier | C Minor | 2 | 5A | 126 BPM | ||
A Slumber Song of the Madonna (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | D♭ Major | 0 | 3B | 111 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
Pavane, Op. 50 | Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton | F♯ Minor | 0 | 11A | 66 BPM | ||
Berceuse in B-Flat Major, Op. 38 | Camille Saint-Saëns, Fanny Clamagirand, Vanya Cohen | E Major | 1 | 12B | 71 BPM | ||
Adoration | Florence Beatrice Price, Randall Goosby, Zhu Wang | G Major | 1 | 9B | 79 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
La campanella in G-Sharp Minor (From "Grandes études de Paganini", S. 141 / 3) | Franz Liszt, Lang Lang | A♭ Minor | 3 | 1A | 88 BPM |
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