"Toccata (Prelude) and Fugue in F, BWV 540" by Johann Sebastian Bach, Ton Koopman was released on May 1, 2021. Toccata (Prelude) and Fugue in F, BWV 540 appears to be safe for all ages as it is not explicit. There are a total of 175 in the song's album "Simply Bach". In this album, this song's track order is #163. Furthermore, we believe that the track originated from Germany. Toccata (Prelude) and Fugue in F, BWV 540 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Toccata (Prelude) and Fugue in F, BWV 540 by Johann Sebastian Bach, Ton Koopman having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: II. Adagio | Cologne Chamber Orchestra, Gerald Hambitzer, Christoph Anselm Noll, Johann Sebastian Bach | A Minor | 1 | 8A | 81 BPM | ||
The Notebook for Anna Magdalena Bach: No. 5, Menuet in G Minor - Formerly Attributed to Johann Sebastian Bach as BWV Anh. 115 | Christian Petzold, Christos Tsitsaros | G Minor | 2 | 6A | 117 BPM | ||
Matthäus-Passion, BWV 244 / Erster Teil: No. 1 "Kommt, ihr Töchter, helft mir klagen" | Johann Sebastian Bach, English Baroque Soloists, The Monteverdi Choir, The London Oratory Junior Choir, John Eliot Gardiner | E♭ Minor | 1 | 2A | 81 BPM | ||
Toccata & Fugue in D Minor, BWV 565 (Transc. I. Friedman): Fugue | Ignaz Friedman, Johann Sebastian Bach, Roberto Cominati | D Minor | 2 | 7A | 98 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM | ||
Italian Concerto In F Major BWV 971, Italienisches Konzert, F Dur BWV 971: Allegro | Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach | E♭ Major | 5 | 5B | 95 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM |
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