April 30, 2021
Audio information that is featured on Nocturnes, Op. 9: No. 1 in B-Flat Minor by Frédéric Chopin, Peter Schmalfuss.
Find songs that harmonically matches to Nocturnes, Op. 9: No. 1 in B-Flat Minor by Frédéric Chopin, Peter Schmalfuss. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.
|Suite bergamasque, L. 75: No. 3, Clair de lune (Arr. L. Caillet for Orchestra)||Claude Debussy, Eugene Ormandy, Philadelphia Orchestra, Philharmonia Orchestra||D♭ Major||0||3B||165|
|Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII (Andante cantabile)||Sergei Rachmaninoff, Cecile Ousset, Sir Simon Rattle, City Of Birmingham Symphony Orchestra||D♭ Major||2||3B||84|
|Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione - Andante non troppo - Allegro vivace||Béla Bartók, Fritz Reiner, Chicago Symphony Orchestra||D♭ Major||1||3B||130|
|Euryanthe, J. 291, Act III: Act III: Nein! Lasst ihn frei! (Gerard)||Carl Maria von Weber, Josef Traxel, WDR Sinfonieorchester Köln, Joseph Keilberth||D♭ Major||1||3B||87|
|Fantasiestücke op. 12 - I. Des Abends||Peter Schmalfuss||D♭ Major||0||3B||97|
|Klavierstück in A-Flat Major, Op. 37, Nr. 11: Warum willst du and're fragen?||Sylvia Capova||D♭ Major||0||3B||60|
|Suite bergamasque, L 75: Clair de lune||Henrik Måwe||D♭ Major||0||3B||130|
|Nocturne No.8 In D Flat, Op.27 No.2 - 2005 Recording||Frédéric Chopin, Maurizio Pollini||D♭ Major||0||3B||56|
|Suite Bergamasque: III. Clair de Lune||Peter Schmalfuss||D♭ Major||0||3B||130|
|Suite bergamasque, L. 75: III. Clair de lune||Claude Debussy, Alexis Weissenberg||D♭ Major||0||3B||57|
|Chopin: Fantasie Impromptu #4 In C Sharp Minor, Op. 66||London Festival Orchestra||D♭ Major||1||3B||90|
|Clair De Lune (from Bergamasque)||Sylvia Capova||D♭ Major||0||3B||67|
|Chopin: Waltz In D Flat, Op. 64/1, "Minuet"||London Festival Orchestra||D♭ Major||1||3B||111|
|Dukas: L'apprenti sorcier (Excerpt)||Paul Dukas, Oslo Philharmonic Orchestra, Mariss Jansons||D♭ Major||5||3B||117|
|Barber: Adagio for Strings, Op. 11a||Samuel Barber, Eugene Ormandy, Philadelphia Orchestra||B♭ Minor||1||3A||80|
|Adagio for Strings, Op. 11a||London Philharmonic Orchestra||B♭ Minor||2||3A||78|
|Schoenberg: 5 Orchestral Pieces, Op. 16: No. 4 Peripetie (Peripeteia)||Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra||B♭ Minor||1||3A||76|
|Adagio For Strings (Platoon)||London Festival Orchestra||B♭ Minor||1||3A||60|
|Barber: Agnus Dei||Samuel Barber, Winchester Cathedral Choir, David Hill||B♭ Minor||1||3A||71|
|Adagio for Strings op.11||Samuel Barber, Thomas Bowes, Joseph Swensen, Malmö Opera Orchestra||B♭ Minor||1||3A||79|
|Adagio for Strings, Op.11||Samuel Barber, Academy of St. Martin in the Fields, Sir Neville Marriner||B♭ Minor||0||3A||83|
|Adagio for Strings: Agnus Dei||Samuel Barber, Armonico Consort, Christopher Monks||B♭ Minor||1||3A||78|
|Adagio For Strings, Op.11||Samuel Barber, Jacek Kaspszyk, London Symphony Orchestra||B♭ Minor||0||3A||82|
This song is track #21 in Coffeehouse Classical by Frédéric Chopin, Peter Schmalfuss, which has a total of 50 tracks. The duration of this track is 5:26 and was released on April 30, 2021. As of now, this track is currently not as popular as other songs out there. Unfortunately, some songs are not meant to be danced and Nocturnes, Op. 9: No. 1 in B-Flat Minor might be one of them, due to it's low energy and danceability.
Nocturnes, Op. 9: No. 1 in B-Flat Minor has a BPM of 73. Since this track has a tempo of 73, the tempo markings of this song would be Adagio (slowly with great expression). Overall, we believe that this song has a slow tempo.
The key of Nocturnes, Op. 9: No. 1 in B-Flat Minor is D♭ Major. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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