"Psalmi Davidis poenitentiales: Psalmus Primus Poenitentialis "Domine, ne in furore tuo arguas me"" by Orlande de Lassus, Collegium Vocale Gent, Philippe Herreweghe was released on July 31, 2007. Psalmi Davidis poenitentiales: Psalmus Primus Poenitentialis "Domine, ne in furore tuo arguas me" appears to be safe for all ages as it is not explicit. The track order of this song in Orlande de Lassus, Collegium Vocale Gent, Philippe Herreweghe's "Lassus: Psalmi Davidis poenitentiales" album is number 1 out of 7. On top of that, France appears to be the country where this track was created. Psalmi Davidis poenitentiales: Psalmus Primus Poenitentialis "Domine, ne in furore tuo arguas me" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Psalmi Davidis poenitentiales: Psalmus Primus Poenitentialis "Domine, ne in furore tuo arguas me" by Orlande de Lassus, Collegium Vocale Gent, Philippe Herreweghe to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 1 | 5B | 69 BPM | ||
Repleti sunt | Jacobus Gallus, Pro Musica, Szabó Dénes | F Minor | 1 | 4A | 134 BPM | ||
Kronstorfer Messe in D Minor, WAB 146: I. Kyrie | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | G Minor | 2 | 6A | 137 BPM | ||
Libera me, WAB 21 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | F Major | 2 | 7B | 70 BPM | ||
Tous les regretz | Antoine Brumel, Les Jardins de Courtoisie, Anne Delafosse-Quentin | C Major | 1 | 8B | 64 BPM | ||
Three Shakespeare Songs: I. Full Fathom Five | Ralph Vaughan Williams, Simon Phipps, Swedish Chamber Choir | D Minor | 1 | 7A | 129 BPM | ||
Missa Malheur me bat a 4: Kyrie | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F♯ Minor | 2 | 11A | 77 BPM | ||
Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM |
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