On May 7, 2009, the song "Concerto No. 6, Op. 7: Concerto a cinque No. 6, Op. 7: I. Allegro" was released by Tomaso Albinoni, Paul Dombrecht, Il Fondamento. The duration of Concerto No. 6, Op. 7: Concerto a cinque No. 6, Op. 7: I. Allegro is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Concerto No. 6, Op. 7: Concerto a cinque No. 6, Op. 7: I. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 24 in Albinoni: Concerti con Oboe by Tomaso Albinoni, Paul Dombrecht, Il Fondamento. In terms of popularity, Concerto No. 6, Op. 7: Concerto a cinque No. 6, Op. 7: I. Allegro is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Concerto No. 6, Op. 7: Concerto a cinque No. 6, Op. 7: I. Allegro by Tomaso Albinoni, Paul Dombrecht, Il Fondamento is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Concerto For Strings In D Minor, RV 128: III. Allegro | Sonatori de la Gioiosa Marca, Antonio Vivaldi | D Minor | 6 | 7A | 71 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Concerto for 2 Oboes in C Major, Op. 7 No. 2: II. Adagio | Tomaso Albinoni, Alessandro Baccini, Francesco Di Rosa, L'offerta Musicale Ensemble, Riccardo Parravicini | C Minor | 0 | 5A | 86 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Dido and Aeneas, Z. 626: Overture | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | B Minor | 2 | 10A | 91 BPM | ||
Violin Concerto in B-Flat Major, Op. 10 No. 1: I. Allegro | Jean-Marie Leclair, Leila Schayegh, La Cetra Barockorchester Basel | A Major | 1 | 11B | 99 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E Minor | 3 | 9A | 144 BPM |
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