"Die lustige Witwe: Lippen schweigen" by Franz Lehár, Rudolf Schock, Margit Schramm, Robert Stolz was released on February 21, 1967. The duration of Die lustige Witwe: Lippen schweigen is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Die lustige Witwe: Lippen schweigen's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Franz Lehár, Robert Stolz's "Lehar: Die lustige Witwe (Excerpts)" album is number 12 out of 13. Die lustige Witwe: Lippen schweigen is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die lustige Witwe: Lippen schweigen by Franz Lehár, Rudolf Schock, Margit Schramm, Robert Stolz to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Im weißen Rössl: Im Salzkammergut, da kann man fein lustig sein | Robert Stolz, Herta Talmar, Antonia Fahberg, Franz Fehringer, Willy Hofmann, Bernhard Wilfert, Peter Alexander, Chor, Grosses Operetten Orchester, Franz Marszalek | E♭ Major | 4 | 5B | 164 BPM | ||
The Bohemian Girl - Arr. By Karel Mark Chichon: I Dreamt I Dwelt In Marble Halls | Michael William Balfe, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | D Major | 1 | 10B | 87 BPM | ||
Die Julischka Aus Budapest | Aniko Benkö | B Minor | 5 | 10A | 136 BPM | ||
4 Gesänge, Op. 43: I. Von ewiger Liebe | Johannes Brahms, Bernarda Fink, Roger Vignoles | G Major | 3 | 9B | 76 BPM | ||
La Bohème, Act I: O soave fanciulla (Rodolfo/Marcello/Mimì) | Giacomo Puccini, Nicolai Gedda, Thomas Schippers, Orchestra Del Teatro Dell'Opera Di Roma | G Major | 4 | 9B | 78 BPM | ||
Der Singende Traum, Act II: Du bist die Welt fur mich | Richard Tauber, Rudolf Schock, Orchesterbegleitung, Wilhelm Schüchter | E Major | 2 | 12B | 167 BPM | ||
Panis Angelicus | Franco Corelli | A Major | 1 | 11B | 66 BPM | ||
Viktoria und ihr Husar: Reich' mir zum Abschied noch einmal die Hände | Paul Abraham, Sandor Konya, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | B♭ Major | 3 | 6B | 110 BPM | ||
Der Zigeunerbaron, IJS 486: Wer uns getraut | Johann Strauss II, Rudolf Schock, Erzebeth Hazy, Robert Stolz | D Major | 3 | 10B | 100 BPM | ||
Gasparone: "Auch ich war einst ein junger Mann" | Carl Millöcker, Grosses Operetten Orchester, Franz Marszalek, Willy Schneider, Willy Hofman, Sandor Konya, Herta Talmar, Rita Bartos | G Major | 2 | 9B | 115 BPM |
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