Otto Klemperer's 'Symphony No. 3 in E Flat, Op.55 'Eroica': III. Scherzo (Allegro vivace) & Trio' came out on March 3, 2003. Since Symphony No. 3 in E Flat, Op.55 'Eroica': III. Scherzo (Allegro vivace) & Trio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 5 in Beethoven Symphony 3/Gross Fugue by Otto Klemperer. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Symphony No. 3 in E Flat, Op.55 'Eroica': III. Scherzo (Allegro vivace) & Trio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 3 in E Flat, Op.55 'Eroica': III. Scherzo (Allegro vivace) & Trio by Otto Klemperer is Allegro (fast, quick, and bright), since this song has a tempo of 152 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Preliudai (Preludes): Preludias, Op. 12, No. 1: Lento | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | E Minor | 0 | 9A | 82 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 10, Funeral March. Andante comodo | Felix Mendelssohn, Otto Klemperer, Philharmonia Orchestra | C Minor | 0 | 5A | 0 BPM | ||
Symphony No. 3 in D Major, Op. 29, TH 26, "Polish": II. Alla tedesca. Allegro moderato e semplice | Pyotr Ilyich Tchaikovsky, Mariss Jansons, Oslo Philharmonic Orchestra | G Minor | 1 | 6A | 105 BPM | ||
Misa No. 14 para orquesta y cantantes in C Major, K. 317, "Misa de Coronación": No. 1, Kyrie | Orquesta Filarmónica De Londres, Harry Zinman, C. Cantelu, J. Gastani, D. White, T. Cameron | C Major | 1 | 8B | 176 BPM | ||
Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": I. Inferno: Allegro frenetico: quasi doppio movimento | Franz Liszt, Veronika Kincses, Hungarian Radio and Television Ladies Chorus, Budapest Symphony Orchestra, György Lehel | E Minor | 1 | 9A | 102 BPM | ||
Tristia, Op.18: 3. Marche funèbre pour la dernière scène d'Hamlet | Hector Berlioz, Cleveland Orchestra, Pierre Boulez, The Cleveland Orchestra Chorus, Gareth Morrell | A Minor | 1 | 8A | 82 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Rex tremendae | Hector Berlioz, Michael Schade, Toronto Mendelssohn Choir, Toronto Mendelssohn Youth Choir, Elora Festival Orchestra, Noel Edison | B♭ Major | 0 | 6B | 79 BPM | ||
Léocadie, S. 12: Act III Entr'acte | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | C Major | 1 | 8B | 112 BPM | ||
Rhapsody-Concerto, H. 337: I. Moderato | Bohuslav Martinů, Maxim Rysanov, BBC Symphony Orchestra, Jiří Bělohlávek | B♭ Major | 1 | 6B | 141 BPM | ||
Armida: Armida: Sinfonia in Pantomima | Antonio Salieri, Mannheim Mozart Orchestra, Thomas Fey | G Major | 1 | 9B | 83 BPM |
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