"Giulietta: "Giulietta son io" - Remastered" by Riccardo Zandonai, Mario del Monaco, Alberto Erede, Nueva Orquesta Sinfónica de Londres was released on May 15, 2011. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Recital No. 4". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Spain. Giulietta: "Giulietta son io" - Remastered is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Giulietta: "Giulietta son io" - Remastered by Riccardo Zandonai, Mario del Monaco, Alberto Erede, Nueva Orquesta Sinfónica de Londres having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andrea Chénier / Act 4: Cittadino, men duol | Umberto Giordano, Giuseppe Morresi, Tom Krause, National Philharmonic Orchestra, Riccardo Chailly | D Minor | 0 | 7A | 110 BPM | ||
Lucia di Lammermoor / Act 1: Regnava nel silenzio | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale Della RAI, Riccardo Frizza | F Minor | 0 | 4A | 169 BPM | ||
Mussorgsky: Boris Godunov, Prologue: "Nu, chtozh vy?" (Officier, Chorus) | Modest Mussorgsky, Issay Dobrowen, Chœurs russes de Paris, Stanisław Pieczora, Orchestre National Radiodiffusion Française | E♭ Major | 1 | 5B | 88 BPM | ||
Lucia di Lammermoor / Act 1: Quando rapito in estasi | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale Della RAI, Riccardo Frizza | G Major | 1 | 9B | 118 BPM | ||
Così fan tutte, K.588, Act II: Rondo. "Per pietà, ben mio, perdona" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Puccini: Turandot, Act 3: "Liù...bontà! Liù...dolcezza!" (Timur, Ping, Pong, Pang, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Gregory Bonfatti, Mattia Olivieri, Michele Pertusi, Siyabonga Maqungo, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Minor | 0 | 2A | 68 BPM | ||
Requiem, Op. 63: Ib. Te decet hymnus – | Charles Villiers Stanford, Carolyn Sampson, James Way, Ross Ramgobin, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins | E Minor | 1 | 9A | 79 BPM | ||
Puccini: Turandot, Act 3: "Arbitra son del tuo destino" (Turandot, Calaf, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Jonas Kaufmann, Sondra Radvanovsky, Orchestra dell'Accademia Nazionale di Santa Cecilia | A♭ Major | 3 | 4B | 165 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A♭ Major | 0 | 4B | 116 BPM | ||
Francesca da Rimini: Act I: O Francesca, anima mia (Samaritana, Francesca, Chorus) | Riccardo Zandonai, Orchestra La Scala di Milano, Pinuccia Perotti, Magda Olivero, Coro La Scala di Milano, Gianandrea Gavazzeni | D Minor | 1 | 7A | 80 BPM |
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