"Metamorphosen for 23 Solo Strings, TrV 290" by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1995. Metamorphosen for 23 Solo Strings, TrV 290 appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Strauss, R.: Tod und Verklärung; Metamorphosen; Four Last Songs". In this album, this song's track order is #2. Metamorphosen for 23 Solo Strings, TrV 290 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Metamorphosen for 23 Solo Strings, TrV 290 by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polovtsian Dances (from Prince Igor) | Sir Simon Rattle, Berliner Philharmoniker | D Major | 1 | 10B | 99 BPM | ||
Brahms: Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso. Quasi andantino | Johannes Brahms, Berliner Philharmoniker, Sir Simon Rattle | D♭ Major | 2 | 3B | 140 BPM | ||
Giselle / Act 1: Introduction | Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 135 BPM | ||
24 Preludes, Op. 28: No. 15 in D-Flat Major "Raindrop" | Frédéric Chopin, Evgeny Kissin | G Major | 2 | 9B | 101 BPM | ||
Messiaen: Éclairs sur l'au-delà...: X. Le chemin de l'invisible | Olivier Messiaen, Sir Simon Rattle, Berliner Philharmoniker | A Major | 0 | 11B | 84 BPM | ||
Pines Of Rome, P. 141: 3. The Pines Of The Janiculum | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 84 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Shostakovich: Violin Concerto No. 1 in A Minor, Op. 99: V. Burlesque. Allegro con brio - Presto | Dmitri Shostakovich, Sarah Chang, Sir Simon Rattle, Berliner Philharmoniker | G Minor | 1 | 6A | 85 BPM | ||
Salome, Op. 54 / Scene 2: Laßt den Propheten herauskommen | Richard Strauss, Cheryl Studer, Clemens Bieber, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | C Minor | 0 | 5A | 64 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM |
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