"Im wunderschonen Monat Mai (After R. Schumann & F. Schubert): No. 2. Gute Nacht" by Reinbert de Leeuw, Schönberg Ensemble, Barbara Sukowa was released on September 1, 2014. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Reinbert de Leeuw, Schönberg Ensemble, Barbara Sukowa's "Im wunderschönen Monat Mai" album is number 2 out of 21. On top of that, Germany appears to be the country where this track was created. The popularity of Im wunderschonen Monat Mai (After R. Schumann & F. Schubert): No. 2. Gute Nacht is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Im wunderschonen Monat Mai (After R. Schumann & F. Schubert): No. 2. Gute Nacht by Reinbert de Leeuw, Schönberg Ensemble, Barbara Sukowa to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
Concerto For Violin And Orchestra: 1. = 104 - = 120 | Philip Glass, Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | D Minor | 1 | 7A | 130 BPM | ||
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano) | Wilhelm Kempff, George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 60 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 2 in E-Flat Major | Franz Schubert, Khatia Buniatishvili | E♭ Minor | 1 | 2A | 67 BPM | ||
2 Pieces for the Left Hand, Op. 9: No. 2. Nocturne in D-Flat Major | Alexander Scriabin, Maria Lettberg | D♭ Major | 0 | 3B | 76 BPM | ||
Orpheus' Klage (Orfeo ed Euridice) | Christoph Willibald Gluck, Wilhelm Kempff, Matti Raekallio | D Minor | 0 | 7A | 69 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Petite ouverture à danser | Erik Satie, Reinbert de Leeuw | A♭ Major | 0 | 4B | 77 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Introduction | Igor Stravinsky, Teodor Currentzis, musicAeterna | B Minor | 0 | 10A | 87 BPM |
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