21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor by Johannes Brahms, Jan Talich, Jan Talich Chamber Orchestra

Song Analysis

Audio information that is featured on 21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor by Johannes Brahms, Jan Talich, Jan Talich Chamber Orchestra.

Acousticness

81%

Energy

24%

Liveness

8%

Speechiness

4%

Danceability

41%

Instrumentalness

9%

Loudness

75%

Valence

48%

Harmonic Matches

Find songs that harmonically matches to 21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor by Johannes Brahms, Jan Talich, Jan Talich Chamber Orchestra. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Carmina Burana - Fortuna Imperatrix Mundi : Fortune plango vulnera by Carl Orff, Michel Plasson, Orchestre Du Capitole De Toulouse, Orchestre National Du Capitole De ToulouseCarmina Burana - Fortuna Imperatrix Mundi : Fortune plango vulneraCarl Orff, Michel Plasson, Orchestre Du Capitole De Toulouse, Orchestre National Du Capitole De ToulouseG Minor36A128
Wieniawski : Légende Op.17 by Henryk Wieniawski, Maxim VengerovWieniawski : Légende Op.17Henryk Wieniawski, Maxim VengerovG Minor16A81
Menuet in G Minor (trans. W. Kempff) by Wilhelm Kempff, George Frideric Handel, Idil BiretMenuet in G Minor (trans. W. Kempff)Wilhelm Kempff, George Frideric Handel, Idil BiretG Minor06A73
Falstaff: Act II Scene 4: Cavatina (Duet): Ah! Signore! se sapesse (Betty, Falstaff) by Antonio Salieri, József Gregor, Mária Zempléni, Dénes Gulyás, Istvan Gati, Eva Panczel, Tamas Csurja, Eva Vamossy, Salieri Chamber Chorus, Salieri Chamber Orchestra, Tamas PalFalstaff: Act II Scene 4: Cavatina (Duet): Ah! Signore! se sapesse (Betty, Falstaff)Antonio Salieri, József Gregor, Mária Zempléni, Dénes Gulyás, Istvan Gati, Eva Panczel, Tamas Csurja, Eva Vamossy, Salieri Chamber Chorus, Salieri Chamber Orchestra, Tamas PalG Minor16A95
Zigeunerweisen, Op.20 by Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James LevineZigeunerweisen, Op.20Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James LevineG Minor26A169
O del mio dolce ardor by Christoph Willibald Gluck, Ramón VargasO del mio dolce ardorChristoph Willibald Gluck, Ramón VargasG Minor16A184
Suite en Sol: Les Sauvages by Jean-Philippe Rameau, Alexandre TharaudSuite en Sol: Les SauvagesJean-Philippe Rameau, Alexandre TharaudG Minor26A97
Zigeunerweisen (Aires Gitanos), Op. 20 by Pablo de Sarasate, Julia Fischer, Milana ChernyavskaZigeunerweisen (Aires Gitanos), Op. 20Pablo de Sarasate, Julia Fischer, Milana ChernyavskaG Minor16A83
Dvorák: 4 Romantic Pieces, Op. 75, B. 150: I. Allegro moderato by Antonín Dvořák, Renaud Capuçon, Khatia BuniatishviliDvorák: 4 Romantic Pieces, Op. 75, B. 150: I. Allegro moderatoAntonín Dvořák, Renaud Capuçon, Khatia BuniatishviliB♭ Major16B91
Trumpet Concerto in E Flat (1998 - Remaster): III. Rondo (Allegro molto) by Herbert von Karajan, Berliner Philharmoniker, Maurice AndréTrumpet Concerto in E Flat (1998 - Remaster): III. Rondo (Allegro molto)Herbert von Karajan, Berliner Philharmoniker, Maurice AndréB♭ Major46B74
Trombone Concerto in B-Flat Major: I. Allegro vivace by Nikolai Rimsky-Korsakov, Christian Lindberg, Tokyo Kosei Wind Orchestra, Chikara ImamuraTrombone Concerto in B-Flat Major: I. Allegro vivaceNikolai Rimsky-Korsakov, Christian Lindberg, Tokyo Kosei Wind Orchestra, Chikara ImamuraB♭ Major16B139
Ancient Airs And Dances, Suite No.3, [P. 172]: 1. Italiana by Ottorino Respighi, Boston Symphony Orchestra, Seiji OzawaAncient Airs And Dances, Suite No.3, [P. 172]: 1. ItalianaOttorino Respighi, Boston Symphony Orchestra, Seiji OzawaB♭ Major16B96
Casse-noisette: Ouverture miniature by Wiener Philharmoniker, Herbert von KarajanCasse-noisette: Ouverture miniatureWiener Philharmoniker, Herbert von KarajanB♭ Major36B106
Sonata in F Major, K. 533: II. Andante by Richard GoodeSonata in F Major, K. 533: II. AndanteRichard GoodeB♭ Major06B126
Frühlingsstimmen, Op.410 by Johann Strauss II, Eva Lind, Vienna Volksoper Orchestra, Franz Bauer-TheusslFrühlingsstimmen, Op.410Johann Strauss II, Eva Lind, Vienna Volksoper Orchestra, Franz Bauer-TheusslB♭ Major16B85
Symphony No. 33 KV319 in B flat Major: Allegro assai by Academy of St. Martin in the Fields, Iona BrownSymphony No. 33 KV319 in B flat Major: Allegro assaiAcademy of St. Martin in the Fields, Iona BrownB♭ Major16B90
Franck: Violin Sonata in A Major, FWV 8: II. Allegro by César Franck, Renaud Capuçon, Khatia BuniatishviliFranck: Violin Sonata in A Major, FWV 8: II. AllegroCésar Franck, Renaud Capuçon, Khatia BuniatishviliB♭ Major16B89
Les Quatres Saisons: Concerto En Fa Mineur, RV 297 Les Quatres Saisons: Concerto En Fa Mineur, RV 297 "L'hiver": II. LargoAcademy of St. Martin in the Fields, Iona BrownB♭ Major26B130

21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor by Johannes Brahms, Jan Talich, Jan Talich Chamber Orchestra Information

This song is track #8 in Red Classical Music by Johannes Brahms, Jan Talich, Jan Talich Chamber Orchestra, which has a total of 29 tracks. The duration of this track is 2:22 and was released on April 30, 2021. As of now, this track is currently not as popular as other songs out there. 21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor doesn't provide as much energy as other songs but, this track can still be danceable to some people.

21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor BPM

21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor has a BPM of 140. Since this track has a tempo of 140, the tempo markings of this song would be Allegro (fast, quick, and bright). Based on the tempo, this track could possibly be a great song to play while you are jogging or cycling. Overall, we believe that this song has a fast tempo.

21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor Key

The key of 21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor is G Minor. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

An error has occurred! We could not play this song at this time.