Peter Dasent made "Mock Horse Boogie" available on September 12, 2005. With this song being about 5 minutes long, at 4:40, "Mock Horse Boogie" by Peter Dasent is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 27 in the song's album "Peter Dasent's Wonderful Music Encyclopaedia". In this album, this song's track order is #21. In terms of popularity, Mock Horse Boogie is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Mock Horse Boogie by Peter Dasent having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
天使との戯れ | Michiru Oshima | A♭ Minor | 9 | 1A | 142 BPM | ||
International Escapades: I. Overture | Milo Paulus | D♭ Major | 3 | 3B | 91 BPM | ||
South Sea Lullaby | The Royal Polynesian Island Orchestra | C Major | 2 | 8B | 84 BPM | ||
Major Tom (Coming Home - For Orchestra) - 2023 Remaster | Deutsche Kammerphilharmonie Bremen | C Minor | 4 | 5A | 153 BPM | ||
Welcome In The Dimension Of The Fae | Verdiqo Incognitus | F Major | 5 | 7B | 98 BPM | ||
Exquisite Fatigue | Peter Dasent | E♭ Major | 0 | 5B | 122 BPM | ||
Better Left Alone | John Lunn | D Minor | 1 | 7A | 95 BPM | ||
The Shrine | Peter Dasent | F♯ Major | 1 | 2B | 68 BPM | ||
Vitelloni's Bar | Nino Rota | C Major | 3 | 8B | 172 BPM | ||
Déjà vu All Over Again | Craig Huxley | A Major | 7 | 11B | 179 BPM |
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