"Symphonie fantastique, Op. 14: Symphonie fantastique, Op. 14: I. Rêveries - Passions" by Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding was released on August 26, 2016. Symphonie fantastique, Op. 14: Symphonie fantastique, Op. 14: I. Rêveries - Passions appears to be safe for all ages as it is not explicit. The song is number 10 out of 14 in Berlioz: Symphonie Fantastique - Rameau: Suite de Hippolyte et Aricie by Swedish Radio Symphony Orchestra, Daniel Harding. Based on our statistics, Symphonie fantastique, Op. 14: Symphonie fantastique, Op. 14: I. Rêveries - Passions's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonie fantastique, Op. 14: Symphonie fantastique, Op. 14: I. Rêveries - Passions by Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in D Major, Op. 6: III. Rondo (Allegro spirituoso) | Niccolò Paganini, Hilary Hahn, Swedish Radio Symphony Orchestra, Eije Oue | D Major | 1 | 10B | 99 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: III. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Major | 4 | 8B | 150 BPM | ||
Piano Concerto No.4 in G minor, Op.40: 1. Allegro vivace (Alla breve) | Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn | E♭ Major | 1 | 5B | 67 BPM | ||
Symphonic Metamorphoses on Themes of Carl Maria von Weber: III. Andantino | Paul Hindemith, Leonard Bernstein, New York Philharmonic | F Minor | 1 | 4A | 84 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 3 in G Major, Vivace | Bedřich Smetana, Jitka Čechová | G Major | 2 | 9B | 144 BPM | ||
Symphony No. 1: II. Kräftig bewegt, doch nicht zu schnell – Trio. Recht gemächlich | Gustav Mahler, Berliner Philharmoniker, Daniel Harding | A Major | 1 | 11B | 169 BPM | ||
Roméo et Juliette, Op. 17, H 79, Pt. 3: No. 6b, Invocation | Hector Berlioz, Orchestre National De Lyon, Leonard Slatkin | A Major | 0 | 11B | 97 BPM |
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