"Introduction And Polonaise, Op.3: Introduction - Lento - Excerpt / Live At Concert Hall, Kyoto / 2000" by Frédéric Chopin, Mischa Maisky, Martha Argerich was released on April 30, 2021. The duration of Introduction And Polonaise, Op.3: Introduction - Lento - Excerpt / Live At Concert Hall, Kyoto / 2000 is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Introduction And Polonaise, Op.3: Introduction - Lento - Excerpt / Live At Concert Hall, Kyoto / 2000's duration is considered a little bit shorter than the average duration of a typical track. The song is number 331 out of 429 in Discover Chopin by Frédéric Chopin. Introduction And Polonaise, Op.3: Introduction - Lento - Excerpt / Live At Concert Hall, Kyoto / 2000 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Introduction And Polonaise, Op.3: Introduction - Lento - Excerpt / Live At Concert Hall, Kyoto / 2000 by Frédéric Chopin, Mischa Maisky, Martha Argerich is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No.8 In D Flat, Op.27 No.2 - 2005 Recording | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 56 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2 | Franz Schubert, Evgeny Kissin | E♭ Major | 0 | 5B | 71 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Bagatelles et impromptus: VII. Love | Bedřich Smetana, William Howard | A Major | 0 | 11B | 71 BPM | ||
Mazurka in G minor, Op.67, No.2 | Frédéric Chopin, Vladimir Ashkenazy | B♭ Major | 0 | 6B | 66 BPM | ||
Gnossiennes: n° 4 | Erik Satie, Alexandre Tharaud | A Minor | 0 | 8A | 85 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
24 Preludes, Op. 11: No. 4 in E Minor | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 99 BPM |
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