"Finale (From "East of Eden")" by London Symphony Orchestra, Charles Gerhardt, Lee Holdridge was released on September 6, 2016. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 13 in East of Eden: Motion Picture and Television Scores of Lee Holdridge by London Symphony Orchestra, Charles Gerhardt, Lee Holdridge. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Finale (From "East of Eden") is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Finale (From "East of Eden") by London Symphony Orchestra, Charles Gerhardt, Lee Holdridge is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Story Of My Life | The Chamber Orchestra Of London | F Minor | 1 | 4A | 86 BPM | ||
A Royal Command - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 82 BPM | ||
Will Grows Up | William Ross | E♭ Major | 1 | 5B | 79 BPM | ||
Departures | Joe Hisaishi, London Symphony Orchestra | G Major | 1 | 9B | 124 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Rachel's Theme | Anne Dudley | E Minor | 2 | 9A | 79 BPM | ||
Gaîté parisienne: Barcarolle | Jacques Offenbach, Boston Symphony Orchestra, Seiji Ozawa | A Minor | 0 | 8A | 135 BPM | ||
Indian Children's School | Lee Holdridge | C Major | 1 | 8B | 84 BPM | ||
The English Patient: Convento di Sant'Anna (Arr. N. Resier and M. Keller) | Ulrich Herkenhoff, Kurpfälzisches Kammerorchester, Frank Zacher | G Major | 1 | 9B | 85 BPM | ||
Nothing To Forgive | The Chamber Orchestra Of London | G Major | 2 | 9B | 141 BPM |
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