Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby]
Johannes Brahms, Yo-Yo Ma
Songs from the Arc of Life
1:49 September 18, 2015
BPM
78
Key
E♭ Major
Camelot
5B

Embed

Share Link

Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] - Johannes Brahms, Yo-Yo Ma Information

Acousticness
99%
Danceability
20%
Energy
1%
Instrumentalness
60%
Liveness
10%
Loudness
44%
Speechiness
5%
Valence
22%
Popularity
Loudness
-33.503 dB

Summary

Johannes Brahms, Yo-Yo Ma's 'Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby]' came out on September 18, 2015. With Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Songs from the Arc of Life". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] BPM

With Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] by Johannes Brahms, Yo-Yo Ma having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.

Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] Key

This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Abdelazer: Rondeau by Henry Purcell, Academy of St. Martin in the Fields, Sir Neville MarrinerAbdelazer: RondeauHenry Purcell, Academy of St. Martin in the Fields, Sir Neville MarrinerB Minor110A66 BPM
Borodin - String Quartet No.2 in D major: Notturno: Andante by Alexander Borodin, Borodin QuartetBorodin - String Quartet No.2 in D major: Notturno: AndanteAlexander Borodin, Borodin QuartetA Major211B74 BPM
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] by Franz Liszt, Joseph Banowetz6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74]Franz Liszt, Joseph BanowetzG Minor06A96 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) by Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsHaydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten)Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsC Major18B68 BPM
Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2 by Franz Schubert, Evgeny KissinAuf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2Franz Schubert, Evgeny KissinE♭ Major05B71 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio by Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence FosterViolin Concerto No. 1 in G Minor, Op. 26: II. AdagioMax Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence FosterE♭ Major05B100 BPM
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] by Seattle Symphony Orchestra, Robert Schumann, Gerard SchwarzEtudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra]Seattle Symphony Orchestra, Robert Schumann, Gerard SchwarzA Minor08A70 BPM
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) by Franz Schubert, Franz Liszt, Khatia BuniatishviliStändchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957)Franz Schubert, Franz Liszt, Khatia BuniatishviliD Major010B67 BPM
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 by Janos Sebestyen, Johann Sebastian BachPrelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924Janos Sebestyen, Johann Sebastian BachC Major28B139 BPM
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) by Robert Schumann, Martin James BartlettWidmung, Op. 25 No. 1 (Arr. Franz Liszt)Robert Schumann, Martin James BartlettA♭ Major04B74 BPM
ISRC
USQX91500812
Label
L-M Records/RCA Records

Section: 1.1773707866668701

End: 1.1828217506408691