"Estampes, L. 100: I. Pagodes" by Claude Debussy, Daniel Barenboim was released on July 30, 2022. Estampes, L. 100: I. Pagodes is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The song is number 34 out of 161 in BBQ Night with Debussy by Claude Debussy, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Estampes, L. 100: I. Pagodes is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Estampes, L. 100: I. Pagodes by Claude Debussy, Daniel Barenboim is Prestissimo (even faster than presto), since this song has a tempo of 237 BPM. The time signature for this track is 5/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Suite Bergamasque, L. 75: Passepied | Claude Debussy, Martin Jones | F♯ Minor | 0 | 11A | 90 BPM | ||
Après un rêve, Op. 7, No. 1 (Arr. for Cello and Piano) | Gabriel Fauré, Sheku Kanneh-Mason, Isata Kanneh-Mason | G Minor | 0 | 6A | 112 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
15 Improvisations, FP 170: No. 13 in A Minor | Francis Poulenc, Lucille Chung | C Major | 0 | 8B | 72 BPM | ||
Unaccompanied Cello Suite No. 1 in G major, BWV 1007: I. Prélude | Johann Sebastian Bach, Yo-Yo Ma | G Major | 1 | 9B | 137 BPM | ||
Arietta | Edvard Grieg, Christopher Ferreira | E♭ Major | 0 | 5B | 142 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): Doctor Gradus ad Parnassum | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | C Major | 0 | 8B | 76 BPM | ||
16 Waltzes, Op. 39: No. 15 In A Flat Major | Johannes Brahms, Idil Biret | A♭ Major | 0 | 4B | 68 BPM |
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