Romeo and Juliet, Op. 64 (Excerpts): No. 13, Dance of the Knights - Sergei Prokofiev, Michael Tilson Thomas, San Francisco Symphony Information

Acousticness: 90%
Danceability: 22%
Energy: 4%
Instrumentalness: 29%
Liveness: 48%
Loudness: 63%
Speechiness: 4%
Valence: 24%
Popularity: 23%
Loudness: -22.076 dB

Summary

Sergei Prokofiev, Michael Tilson Thomas, San Francisco Symphony's 'Romeo and Juliet, Op. 64 (Excerpts): No. 13, Dance of the Knights' came out on April 16, 2004. With this song being about 5 minutes long, at 4:34, "Romeo and Juliet, Op. 64 (Excerpts): No. 13, Dance of the Knights" by Sergei Prokofiev, Michael Tilson Thomas, San Francisco Symphony is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 29 in the song's album "Prokofiev Romeo and Juliet: Classic Library Series". In this album, this song's track order is #11. In terms of popularity, Romeo and Juliet, Op. 64 (Excerpts): No. 13, Dance of the Knights is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Romeo and Juliet, Op. 64 (Excerpts): No. 13, Dance of the Knights BPM

With Romeo and Juliet, Op. 64 (Excerpts): No. 13, Dance of the Knights by Sergei Prokofiev, Michael Tilson Thomas, San Francisco Symphony having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Romeo and Juliet, Op. 64 (Excerpts): No. 13, Dance of the Knights Key

This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Planets, Op. 32: I. Mars, The Bringer Of War	Gustav Holst, Philharmonia Orchestra, John Eliot Gardiner	C Major	4	8B	137 BPM
Rossini: Guillaume Tell: Overture	Gioachino Rossini, Antonio Pappano, Gabriele Gemignani, Orchestra dell'Accademia Nazionale di Santa Cecilia	G Major	1	9B	82 BPM
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo)	Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding	B♭ Major	2	6B	147 BPM
Viola Sonata in B-Flat Major, Op. 36: II. Barcarolla. Andante con moto	Henri Vieuxtemps, Antoine Tamestit, Cédric Tiberghien	G Minor	1	6A	65 BPM
Toccata and Fugue in D Minor, BWV 565: 2. Fugue	Johann Sebastian Bach, Simon Preston	D Minor	2	7A	91 BPM
Mahler: Blumine	Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas	C Major	1	8B	100 BPM
Impromptus, Op. 90, D. 899: Impromptu No. 4 in A-Flat Major	Franz Schubert, Simone Dinnerstein	A♭ Major	0	4B	66 BPM
Boccherini / Arr. Paillard: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto	Luigi Boccherini, Jean-François Paillard, Orchestre de chambre Jean-François Paillard	A Major	1	11B	111 BPM
Bilder einer Ausstellung: Nr. 1 Gnomus	Modest Mussorgsky, Karl Anton Rickenbacher	E♭ Major	1	5B	107 BPM
The Planets, Op. 32: II. Venus, the Bringer of Peace	Gustav Holst, Leonard Bernstein, New York Philharmonic	B♭ Minor	0	3A	77 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7185537815093994

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