"Black Angels, 13 Images from the Dark Land, Pt. 3 "Return" (Arr. J.P. Izquierdo for String Quartet & Orchestra): No. 10, God-music" by George Crumb, Cuarteto Latinoamericano, Carnegie Mellon Philharmonic Orchestra, Juan Pablo Izquierdo was released on October 3, 2006. The duration of Black Angels, 13 Images from the Dark Land, Pt. 3 "Return" (Arr. J.P. Izquierdo for String Quartet & Orchestra): No. 10, God-music is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Black Angels, 13 Images from the Dark Land, Pt. 3 "Return" (Arr. J.P. Izquierdo for String Quartet & Orchestra): No. 10, God-music's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 18 in Crumb: Black Angels & Music for a Summer Evening "Makrokosmos III" by George Crumb, Cuarteto Latinoamericano, Carnegie Mellon Philharmonic Orchestra, Juan Pablo Izquierdo. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Black Angels, 13 Images from the Dark Land, Pt. 3 "Return" (Arr. J.P. Izquierdo for String Quartet & Orchestra): No. 10, God-music is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Black Angels, 13 Images from the Dark Land, Pt. 3 "Return" (Arr. J.P. Izquierdo for String Quartet & Orchestra): No. 10, God-music by George Crumb, Cuarteto Latinoamericano, Carnegie Mellon Philharmonic Orchestra, Juan Pablo Izquierdo is Vivace (lively and fast), since this song has a tempo of 173 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Twelve Preludes For Piano (1953): I | Galina Ustvolskaya, Marianne Schroeder | D Minor | 0 | 7A | 68 BPM | ||
HFDSTX | KNOXVILLETRACKZ | C Major | 0 | 8B | 83 BPM | ||
Ecos de Eternidad: I Saludos II | Jan Sandström, Christian Lindberg, Pedro Carrero, Símon Bolívar Symphony Orchestra | G Major | 1 | 9B | 175 BPM | ||
The Wooden Prince, Sz. 60 (Final Version): XIV. The Princess Appears | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
St. Luke Passion: Part I: Ierusalem (Lamentation of Jeremiah) | Krzysztof Penderecki, Izabela Klosinska, Krzysztof Kolberger, Adam Kruszewski, Romuald Tesarowicz, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | G Major | 0 | 9B | 107 BPM | ||
String Quartet No. 7 in F-Sharp Minor, Op. 108: II. Lento | Dmitri Shostakovich, Asasello Quartett | F Major | 0 | 7B | 173 BPM | ||
Douze Notations Pour Piano (1945): Hiératique | Pierre Boulez, Pi-hsien Chen | G Major | 0 | 9B | 84 BPM | ||
Symphony No. 3, Op. 27, FS 60 "Sinfonia espansiva": II. Andante pastorale | Carl Nielsen, Lina Johnson, Yngve Søberg, Bergen Philharmonic Orchestra, Edward Gardner | F♯ Major | 1 | 2B | 81 BPM | ||
Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": VI. Sacrificial Dance | Igor Stravinsky, San Francisco Symphony, Esa-Pekka Salonen | D Minor | 3 | 7A | 114 BPM | ||
Piano & Violoncello 13 | Irena And Vojtech Havlovi | C Minor | 1 | 5A | 66 BPM |
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