Henri Desmarets, Wanda Procyshyn, Teresa van der Hoeven, Les Violons du Roy, Christopher Jackson's 'Confitebor tibi Domine: I. Confitebor tibi Domine' came out on January 6, 2017. With Confitebor tibi Domine: I. Confitebor tibi Domine being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 36 in Desmarest: Quatre, Motets & Lorrains by Henri Desmarets, Studio De Musique Ancienne De Montréal, Les Violons du Roy, Christopher Jackson. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Confitebor tibi Domine: I. Confitebor tibi Domine is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Confitebor tibi Domine: I. Confitebor tibi Domine by Henri Desmarets, Wanda Procyshyn, Teresa van der Hoeven, Les Violons du Roy, Christopher Jackson is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nisi Dominus, RV 608: III. Surgite | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Sonate, correnti et arie, Op. 4: No. 3, Corrente nona a violino solo | Marco Uccellini, Marino Lagomarsino, Ernest Braucher, Marco Vitali, Ero Maria Barbero | G Minor | 2 | 6A | 48 BPM | ||
Te Deum "de Lyon": XI. Te ergo quæsumus famulis tuis subveni | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
Stabat Mater in F Minor, RV 621: No. 8., Fac ut ardeat | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Domine ne in furore: II. Miserere mei, Domine | Henri Desmarets, Wanda Procyshyn, Les Violons du Roy, Christopher Jackson | C Minor | 1 | 5A | 86 BPM | ||
Susanna HWV 66, Act I: Unmarked | George Frideric Handel, La Sfera Armoniosa, Oscar Verhaar, Mike Fentross | B Major | 3 | 1B | 181 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Concerto IX in A Major: I. Grave | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | C Major | 4 | 8B | 134 BPM | ||
Die Zeit, TWV 20:23: II. Recitiativ | Georg Philipp Telemann, Bettina Pahn, Jochaim Held, Juliane Laake, Carsten Lohff | E Major | 1 | 12B | 91 BPM | ||
Platée, Prologue Scène 2: Air "Aux seuls humains bornez vous la satire ?" (Momus) | Jean-Philippe Rameau, Les Arts Florissants, William Christie, Marc Mauillon | B♭ Major | 2 | 6B | 63 BPM |
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