"Light Cavalry: Overture" by Franz von Suppé, Marko Letonja, Tasmanian Symphony Orchestra was released on November 11, 2016. Since Light Cavalry: Overture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Strauss II, Lorina Gore, Marko Letonja, Tasmanian Symphony Orchestra's "Johann Strauss: Waltzes and Arias" album is number 1 out of 11. On top of that, Australia appears to be the country where this track was created. In terms of popularity, Light Cavalry: Overture is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Light Cavalry: Overture by Franz von Suppé, Marko Letonja, Tasmanian Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fatinitza: Act I: Preludio | Franz von Suppé, Stephanie Houtzeel, Steven Scheschareg, Bernhard Adler, Zora Antonic, Christian Bauer, Gerhard Balluch, Maha Marrawi, Rita Novikaite, Agnieszka Rehlis, Yu-Yu Wang, Erik Goller, Karl Herbst, Bad Ischl Lehar Festival Choir, Franz Lehar Orchestra, Vinzenz Praxmarer | B♭ Major | 1 | 6B | 94 BPM | ||
Polovtsian Dances From "Prince Igor" | Alexander Borodin, Torgny Sporsen, Gothenburg Symphony Orchestra, Neeme Järvi, Gothenburg Symphony Choir | D Major | 1 | 10B | 103 BPM | ||
Military Marches, Op. 39 "Pomp and Circumstance": March No. 1 | Edward Elgar, Andrew Davis, BBC Philharmonic | D Major | 3 | 10B | 122 BPM | ||
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
Champagner Galopp | Hans Christian Lumbye, Wiener Salonorchester | A Major | 3 | 11B | 108 BPM | ||
Requiem: Sanctus | Franz von Suppé, Wolfgang Badun, Jugendsinfonieorchester de Bonn, Ouliana Tchaikowski, Danielle Michèle, Gilles Vitale, Jean-Louis Bindi, Bernard Lallement, Chorale franco-allemande de Paris | B Major | 1 | 1B | 79 BPM | ||
Carmen, Opera Suite No. 2: VI. Danse Bohème (Act 2) | London Festival Orchestra Alfred Scholz | A Minor | 1 | 8A | 128 BPM | ||
Spanish Dance | Dmitri Shostakovich, Plano East Senior High Chamber Orchestra, Betsy Thomas | D Major | 5 | 10B | 116 BPM | ||
The Beautiful Galatea: Overture | Franz von Suppé, Detroit Symphony Orchestra, Paul Paray | C Major | 3 | 8B | 77 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM |
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