Slovak Philharmonic, Bohdan Warchal's 'Orchestersuite in C Major, BWV 1066, No. 1: IV. Forlane' came out on May 17, 2013. The duration of Orchestersuite in C Major, BWV 1066, No. 1: IV. Forlane is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Orchestersuite in C Major, BWV 1066, No. 1: IV. Forlane's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 13 in Classic for You: Bach: Brandenburgische Konzerte 5 und 6, Orchester Suite No. 1 by Slovak Philharmonic, Bohdan Warchal. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Orchestersuite in C Major, BWV 1066, No. 1: IV. Forlane is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Orchestersuite in C Major, BWV 1066, No. 1: IV. Forlane by Slovak Philharmonic, Bohdan Warchal is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1: I. Aragonaise | Georges Bizet, Slovak Philharmonic, Anthony Bramall | D Minor | 1 | 7A | 112 BPM | ||
Piano Sonata No. 16 in B-Flat Major, K. 570: II. Adagio | Wolfgang Amadeus Mozart, Maria João Pires | E♭ Major | 0 | 5B | 179 BPM | ||
Concerto Grosso In F Minor, Op. 1, No. 8: I. Largo - Grave - Vivace - Grave | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 117 BPM | ||
Mozart: Symphony No.40 in g minor, K550 Ⅰ-Molto Allegro | CHA Medical Center | G Minor | 2 | 6A | 122 BPM | ||
Violinkonzert e-Moll, Op. 64, MWV O14: Violin Concerto in E Minor, Op. 64: II. Andante - Allegro non troppo | Felix Mendelssohn, Takako Nishizaki, Slovak Philharmonic, Kenneth Jean | E♭ Minor | 0 | 2A | 79 BPM | ||
Symphony No. 3 in C Major, Op 78 'Organ': III. Maestoso, Allegro | Camille Saint-Saëns, Libor Pešek, Slovak Philharmonic, Ivan Sokol | F Minor | 1 | 4A | 113 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 95 BPM | ||
Violin Concerto in D Minor (2nd version): II. Andante | Felix Mendelssohn, Isabelle van Keulen, Amsterdam Sinfonietta, Lev Markiz | D Major | 0 | 10B | 103 BPM | ||
"Für Elise" Bagatelle No. 25 in A Minor (feat. Sarah Ainsworth) | The Royal Festival Orchestra, William Bowles, Sarah Ainsworth | A Minor | 1 | 8A | 121 BPM | ||
Klavier-Quintett, A-Dur, op. 114, D 667: Andante | Caspar Da Salo Quintett | C Major | 0 | 8B | 104 BPM |
Section: 0.6662633419036865
End: 0.6696207523345947