"W.A. Mozart: Popoli di Tessaglia! - Io non chiedo, eterni Dei, KV 316 (300b)/Rezitativ und Arie/Io non chiedo, eterna Dei" by Herbert Blomstedt, Edda Moser, Staatskapelle Dresden was released on 1981. Since W.A. Mozart: Popoli di Tessaglia! - Io non chiedo, eterni Dei, KV 316 (300b)/Rezitativ und Arie/Io non chiedo, eterna Dei is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wolfgang Amadeus Mozart: Konzertarien/Concert Arias by Herbert Blomstedt. The song's track number on the album is #4 out of 8 tracks. W.A. Mozart: Popoli di Tessaglia! - Io non chiedo, eterni Dei, KV 316 (300b)/Rezitativ und Arie/Io non chiedo, eterna Dei is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since W.A. Mozart: Popoli di Tessaglia! - Io non chiedo, eterni Dei, KV 316 (300b)/Rezitativ und Arie/Io non chiedo, eterna Dei by Herbert Blomstedt, Edda Moser, Staatskapelle Dresden has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With W.A. Mozart: Popoli di Tessaglia! - Io non chiedo, eterni Dei, KV 316 (300b)/Rezitativ und Arie/Io non chiedo, eterna Dei being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wedding Day of Troldhaugen op. 65 Tempo di Marcia un poco vivace | Academy of St. Martin in the Fields | D Major | 0 | 10B | 113 BPM | ||
Violin Concerto No. 1 in A Minor, BWV 1041: III. Allegro assai | Johann Sebastian Bach, Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | A Minor | 3 | 8A | 135 BPM | ||
Violin Concerto No. 1 in F Sharp Minor, Op.14 (1985 - Remaster): III. Rondo (Allegro giocoso) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | F♯ Minor | 1 | 11A | 105 BPM | ||
Symphony No. 4 in A minor, Op. 63: 3. Il tempo largo | Jean Sibelius, San Francisco Symphony, Herbert Blomstedt | D Major | 2 | 10B | 91 BPM | ||
Carmina Burana - 2. In Taberna: "Olim lacus colueram" | Carl Orff, John Daniecki, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | G Major | 0 | 9B | 78 BPM | ||
Souvenir de Florence, Op. 70 TH 118: I. Allegro con spirito | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | D♭ Major | 1 | 3B | 82 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 97 BPM | ||
Habanera | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 0 | 11B | 128 BPM | ||
The Birds, P. 154: 1. Prelude | Ottorino Respighi, San Francisco Symphony, Edo de Waart | A Major | 1 | 11B | 142 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM |
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