"Non ti scordar di me" by Giuseppe Di Stefano was released on February 24, 2014. The duration of Non ti scordar di me is about 3 minutes long, at 3:22. Based on our data, "Non ti scordar di me" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Giuseppe Di Stefano's "Mamma" album is number 9 out of 14. The popularity of Non ti scordar di me is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Non ti scordar di me by Giuseppe Di Stefano to be Vivace (lively and fast) because the track has a tempo of 168 BPM, a half-time of 84BPM, and a double-time of 336 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: No. 2 Cavatina: "Largo al factotum" | Gioachino Rossini, Ettore Bastianini, Orchestra del Maggio Musicale Fiorentino, Alberto Erede | C Major | 4 | 8B | 70 BPM | ||
Wagner: Tristan und Isolde, Act 3: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Waltraud Meier | G Minor | 2 | 6A | 91 BPM | ||
El Último Romántico: "Bella Enamorada" | Gran Orquesta Sinfonica | E Major | 1 | 12B | 91 BPM | ||
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM | ||
Samson et Dalila, Op. 47, Act II: Mon coeur s'ouvre a ta voix | Camille Saint-Saëns, Lauris Elms, Geoffrey Arnold, West Australian Symphony Orchestra | F♯ Major | 1 | 2B | 81 BPM | ||
La serenata | Giuseppe Di Stefano | E Major | 2 | 12B | 172 BPM | ||
Il barbiere di Siviglia / Act 2: No.16 Terzetto: "Ah! qual colpo inaspettato!" | Gioachino Rossini, Gianna D'Angelo, Renato Capecchi, Nicola Monti, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | F Major | 1 | 7B | 130 BPM | ||
Radetzky March Op. 228 | Riccardo Muti, Wiener Philharmoniker | A Major | 5 | 11B | 106 BPM | ||
Cavalleria rusticana: Part I: Prelude | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Major | 3 | 8B | 100 BPM | ||
Bizet: Les pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) | Georges Bizet, Carlo Rizzi, Orchestra of Welsh National Opera | A♭ Major | 0 | 4B | 181 BPM |
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