Eric Hammerstein, National Philharmonic Orchestra's 'Zigeunerliebe Walzer' came out on June 5, 2020. The duration of Zigeunerliebe Walzer is about 3 minutes long, at 3:14. Based on our data, "Zigeunerliebe Walzer" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 47 in the song's album "The Most Beautiful Waltz Music". In this album, this song's track order is #39. In terms of popularity, Zigeunerliebe Walzer is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Zigeunerliebe Walzer by Eric Hammerstein, National Philharmonic Orchestra having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gypsy Love Song from "The Fortune Teller" | Eric Hammerstein, The London Promenade Orchestra | C Minor | 3 | 5A | 98 BPM | ||
Sonata No. 8 para piano in C Minor, Op. 13 " Sonata pathétique " : II. Adagio cantabile | Wolf Rottmann | A♭ Major | 0 | 4B | 173 BPM | ||
Shchedrin: Carmen Suite: V. Carmen’s Entrance and Habanera (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | D♭ Major | 4 | 3B | 154 BPM | ||
Capriccio Espagnol, Op. 34: 2. Variazioni | Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi | F Major | 0 | 7B | 80 BPM | ||
Romeo and Juliet, Suite No.2 from the ballet, Op.64b: 1. Montagues & Capulets | Minnesota Orchestra, Stanisław Skrowaczewski | A Minor | 1 | 8A | 108 BPM | ||
Largo, per archi, armonium, arpa e pianforte | Giuseppe Mulè, Orchestra della Filarrmonica Polacca di Opole, Silvano Frontalini | D Minor | 2 | 7A | 137 BPM | ||
Cavalleria Rusticana: Intermezzo - Instrumental | Pietro Mascagni, Andre Kostelanetz, New York Philharmonic | F Major | 2 | 7B | 90 BPM | ||
Frederica Suite: Minuet (Friederike) | Franz Lehár, National Philharmonic Orchestra, Eric Hammerstein | A Major | 0 | 11B | 89 BPM | ||
Karelia Suite, Op.11: 3. Alla marcia (Moderato) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 3 | 11B | 164 BPM | ||
Mozart: Symphony No.40 in g minor, K550 Ⅰ-Molto Allegro | CHA Medical Center | G Minor | 2 | 6A | 122 BPM |
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