- BPM
- 127
- Key
- C Major
- Camelot
- 8B
Má Vlast (My Country): 2. Vltava (The Moldau) - Bedřich Smetana, Concertgebouworkest, Antal Doráti Information
- Acousticness
- 88%
- Danceability
- 21%
- Energy
- 15%
- Instrumentalness
- 96%
- Liveness
- 10%
- Loudness
- 61%
- Speechiness
- 4%
- Valence
- 8%
- Popularity
- 16%
- Loudness
- -23.268 dB
Summary
"Má Vlast (My Country): 2. Vltava (The Moldau)" by Bedřich Smetana, Concertgebouworkest, Antal Doráti was released on January 1, 1998. The duration of Má Vlast (My Country): 2. Vltava (The Moldau) is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Má Vlast (My Country): 2. Vltava (The Moldau)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 Classical Favourites, so we believe that "Má Vlast (My Country): 2. Vltava (The Moldau)" is a single. Based on our statistics, Má Vlast (My Country): 2. Vltava (The Moldau)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Má Vlast (My Country): 2. Vltava (The Moldau) BPM
The tempo marking of Má Vlast (My Country): 2. Vltava (The Moldau) by Bedřich Smetana, Concertgebouworkest, Antal Doráti is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Má Vlast (My Country): 2. Vltava (The Moldau) Key
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | |
 | Suite for String Orchestra, JW6 No. 2: V. Adagio | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | B♭ Major | 0 | 6B | 89 BPM | |
 | Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | |
 | Caprice in G Minor, JB 2:17 | Bedřich Smetana, Jitka Čechová | E Minor | 1 | 9A | 82 BPM | |
 | Rondo in D Minor, Wq. 61/4, H. 290 | Carl Philipp Emanuel Bach, Christopher Hinterhuber | B♭ Major | 1 | 6B | 135 BPM | |
 | Lyric Pieces Book II, Op. 38: I. Berceuse | Edvard Grieg, Mikhail Pletnev | D Major | 0 | 10B | 67 BPM | |
 | Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | |
 | Sonata No. 13, Hob. XVI:6: Sonata No. 13, Hob. XVI:6: III. Adagio | Franz Joseph Haydn, Jean-Efflam Bavouzet | G Minor | 0 | 6A | 74 BPM | |
 | Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM | |
 | Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6834359169006348
End: 0.6885590553283691