What is the BPM for Vocalise, Op. 34, No. 14 by Sergei Rachmaninoff, Nikolaj Znaider?

The tempo for Vocalise, Op. 34, No. 14 is 103 beats per a minute with a half-time of 52 BPM and a double-time of 206 BPM.

What is the music key for Vocalise, Op. 34, No. 14 by Sergei Rachmaninoff, Nikolaj Znaider?

The music key for Vocalise, Op. 34, No. 14 is E Minor or a camelot key of 9A.

Vocalise, Op. 34, No. 14 - Sergei Rachmaninoff, Nikolaj Znaider Information

Acousticness: 97%
Danceability: 17%
Energy: 6%
Instrumentalness: 25%
Liveness: 8%
Loudness: 58%
Speechiness: 5%
Valence: 4%
Popularity: 46%
Loudness: -24.987 dB

Summary

"Vocalise, Op. 34, No. 14" by Sergei Rachmaninoff, Nikolaj Znaider was released on February 1, 2003. With this song being about 5 minutes long, at 4:50, "Vocalise, Op. 34, No. 14" by Sergei Rachmaninoff, Nikolaj Znaider is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 10 in Bravo! Virtuoso And Romantic Encores For Violin by Nikolaj Znaider. In terms of popularity, Vocalise, Op. 34, No. 14 is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Vocalise, Op. 34, No. 14 BPM

The tempo marking of Vocalise, Op. 34, No. 14 by Sergei Rachmaninoff, Nikolaj Znaider is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Vocalise, Op. 34, No. 14 Key

This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
String Quartet No. 5 in F Minor, Op. 9, B. 37: II. Andante con moto quasi allegretto	Antonín Dvořák, Vlach Quartet Prague	A♭ Major	1	4B	132 BPM
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio	Wolfgang Amadeus Mozart, Sabine Meyer, Berliner Philharmoniker	D Major	0	10B	95 BPM
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major	Johannes Brahms, Idil Biret	A♭ Minor	3	1A	111 BPM
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato	Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle	E Minor	1	9A	102 BPM
Ständchen in D Minor (After Schubert), S. 560	Franz Liszt, Lise de la Salle	D Major	0	10B	76 BPM
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38	Carl Maria von Weber, Ensemble 3 Mouvements	G Major	0	9B	119 BPM
La Fille aux Cheveux de Lin, L. 33	Claude Debussy, Martin Jones	F♯ Major	0	2B	110 BPM
25 Ètudes Faciles Et Progressives, Op. 100: VII. Courant Limpide	Franz Burgmüller, Benedikt David	D Major	1	10B	134 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor	Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz	A Minor	0	8A	76 BPM
Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto	Sergei Rachmaninoff, Royal Liverpool Philharmonic Orchestra, Simon Trpčeski, Vasily Petrenko	E Major	0	12B	67 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6542792320251465

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