Audio information that is featured on Barber: Adagio for Strings, Op. 11a by Samuel Barber, Eugene Ormandy, Philadelphia Orchestra.
Find songs that harmonically matches to Barber: Adagio for Strings, Op. 11a by Samuel Barber, Eugene Ormandy, Philadelphia Orchestra. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.
|L'elisir d'amore, Act II, Scene 8: "Una furtiva lagrima" (Nemorino)||Gaetano Donizetti, Luciano Pavarotti, Kurt Adler, London Philharmonic Orchestra||B♭ Minor||1||3A||67|
|Agnus Dei, Op. 11||Samuel Barber, Katherine Jenkins, Rodolfus Choir||B♭ Minor||2||3A||89|
|Symphony No.3 "Symphony Of Sorrowful Songs": 2. Lento e largo||Henryk Górecki, Joanna Koslowska, Warsaw Philharmonic Orchestra, Kazimierz Kord||B♭ Minor||0||3A||52|
|Adagio for Strings, Op. 11||Samuel Barber, Royal Scottish National Orchestra, Marin Alsop||B♭ Minor||0||3A||77|
|Schoenberg: 5 Orchestral Pieces, Op. 16: No. 4 Peripetie (Peripeteia)||Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra||B♭ Minor||1||3A||76|
|Symphony No. 3, Op. 36: II. Lento e Largo - Tranquillissimo||Henryk Górecki, Dawn Upshaw, London Sinfonietta, David Zinman||B♭ Minor||1||3A||70|
|Adagio||Samuel Barber, Royal Liverpool Philharmonic Orchestra, Libor Pešek||B♭ Minor||1||3A||81|
|Symphony No. 3, Op. 36, "Symfonia piesni zalosnych" (Symphony of Sorrowful Songs): II. Lento e largo - Tranquillissimo||Henryk Górecki, Zofia Kilanowicz, Polish National Radio Symphony Orchestra, Antoni Wit||B♭ Minor||0||3A||87|
|Adagio for Strings, Op.11||Samuel Barber, Academy of St. Martin in the Fields, Sir Neville Marriner||B♭ Minor||0||3A||83|
|Adagio for Strings op.11||Samuel Barber, Thomas Bowes, Joseph Swensen, Malmö Opera Orchestra||B♭ Minor||1||3A||79|
|Barber: Agnus Dei||Samuel Barber, Winchester Cathedral Choir, David Hill||B♭ Minor||1||3A||71|
|Adagio For Strings, Op.11||Samuel Barber, Jacek Kaspszyk, London Symphony Orchestra||B♭ Minor||0||3A||82|
|Adagio For Strings, Op.11/2||Samuel Barber, Baltimore Symphony Orchestra, David Zinman||B♭ Minor||0||3A||71|
|Adagio for Strings: Agnus Dei||Samuel Barber, Armonico Consort, Christopher Monks||B♭ Minor||1||3A||78|
|Agnus Dei, Adagio Op. 11||Samuel Barber, Accentus, Laurence Equilbey||B♭ Minor||1||3A||74|
|Barber: Adagio for Strings, Op. 11||Samuel Barber, Sir Simon Rattle, Berliner Philharmoniker||B♭ Minor||1||3A||74|
|Barber: Adagio para Cuerdas||Samuel Barber, André Previn, London Symphony Orchestra||B♭ Minor||0||3A||88|
|Adagio from Spartacus: Onedin Line theme||Aram Khachaturian, Mariinsky Orchestra, Valery Gergiev||D♭ Major||1||3B||86|
|Suite bergamasque, L. 75: III. Clair de lune||Claude Debussy, Alexis Weissenberg||D♭ Major||0||3B||57|
|Puccini: Madama Butterfly, Act 2: "Un bel di vedremo" (Butterfly)||Giacomo Puccini, Maria Callas, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano||D♭ Major||2||3B||77|
|Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII (Andante cantabile)||Sergei Rachmaninoff, Cecile Ousset, Sir Simon Rattle, City Of Birmingham Symphony Orchestra||D♭ Major||2||3B||84|
|Adagio for Strings, Op.11 - Extract||Samuel Barber, Academy of St. Martin in the Fields, Sir Neville Marriner||D♭ Major||1||3B||79|
|Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo||Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra||D♭ Major||0||3B||73|
|Khachaturian: Spartacus Suite No. 2: I. Adagio of Spartacus and Phrygia||Aram Khachaturian, Yuri Temirkanov, Royal Philharmonic Orchestra||D♭ Major||1||3B||104|
|Nimrod (Lux Aeterna)||Edward Elgar, Voces8||D♭ Major||1||3B||175|
|The Godfather - From "The Godfather"||André Rieu, Johann Strauss Orchestra||D♭ Major||2||3B||93|
|Nabucco, Act III: Chorus of the Hebrew Slaves "Va pensiero, sull'ali dorate"||Giuseppe Verdi, London Philharmonic Choir, The London Chorus, David Parry, London Philharmonic Orchestra||D♭ Major||1||3B||124|
|Dukas: L'apprenti sorcier (Excerpt)||Paul Dukas, Oslo Philharmonic Orchestra, Mariss Jansons||D♭ Major||5||3B||117|
|Zadok The Priest (Coronation Anthem No.1, HWV 258)||George Frideric Handel, Trevor Pinnock, The English Concert, Simon Preston, The Choir Of Westminster Abbey||D♭ Major||2||3B||96|
|Suite bergamasque, L. 75: No. 3, Clair de lune (Arr. L. Caillet for Orchestra)||Claude Debussy, Eugene Ormandy, Philadelphia Orchestra, Philharmonia Orchestra||D♭ Major||0||3B||165|
|Górecki: Symphony No. 3, Op. 36, "Symphony of Sorrowful Songs": II. Lento e largo (Excerpt)||Henryk Górecki, Ernest Bour, Stefania Woytowicz, Symphonieorchester des Südwestfunks-Baden-Baden||D♭ Major||0||3B||72|
|Nimrod||Edward Elgar, The Coldstream Guards Band||D♭ Major||2||3B||71|
This song is track #1 in Barber:Adagio /Copland: El Salon Mexico, Four Episodes from Rodeo & Appalachian Spring. by Samuel Barber, Eugene Ormandy, Philadelphia Orchestra, which has a total of 7 tracks. The duration of this track is 6:21 and was released on 1999. As of now, this track is currently not as popular as other songs out there. Unfortunately, some songs are not meant to be danced and Barber: Adagio for Strings, Op. 11a might be one of them, due to it's low energy and danceability.
Barber: Adagio for Strings, Op. 11a has a BPM of 80. Since this track has a tempo of 80, the tempo markings of this song would be Andante (at a walking pace). Overall, we believe that this song has a slow tempo.
The key of Barber: Adagio for Strings, Op. 11a is B♭ Minor. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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