Franz Joseph Haydn, The English Concert, Trevor Pinnock's 'Symphony In C, Hob. I No. 7 - "Le Midi" - H.C.Robbins Landon: 4. Finale. Allegro' came out on May 1, 2021. The duration of Symphony In C, Hob. I No. 7 - "Le Midi" - H.C.Robbins Landon: 4. Finale. Allegro is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Symphony In C, Hob. I No. 7 - "Le Midi" - H.C.Robbins Landon: 4. Finale. Allegro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 141 in the song's album "Simply Haydn". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Based on our statistics, Symphony In C, Hob. I No. 7 - "Le Midi" - H.C.Robbins Landon: 4. Finale. Allegro's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Symphony In C, Hob. I No. 7 - "Le Midi" - H.C.Robbins Landon: 4. Finale. Allegro by Franz Joseph Haydn, The English Concert, Trevor Pinnock having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Keyboard Concerto in D Major, Wq. 43/2, H. 472: I. Allegro di molto | Carl Philipp Emanuel Bach, Anastasia Injushina, Hamburger Camerata, Ralf Gothoni | D Major | 2 | 10B | 148 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 109 BPM | ||
Souvenir d'un lieu cher, Op. 42: 1. Meditation | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | B♭ Major | 1 | 6B | 114 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: II. Loure | Johann Sebastian Bach, Hilary Hahn | D♭ Minor | 1 | 12A | 133 BPM | ||
Vivaldi: Concerto for Two Trumpets in C Major, RV 537: II. Largo | Antonio Vivaldi, Sir Neville Marriner, Bernard Soustrot, Maurice André, Academy of St. Martin in the Fields | C Major | 0 | 8B | 99 BPM | ||
Concerto in G Major for Flute, Strings, and Basso Continuo: II. Adagio | Johann Stamitz, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 0 | 11B | 71 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: I. Overture | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Major | 0 | 9B | 181 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM |
Section: 0.8295166492462158
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