Tomaso Albinoni, Claudio Scimone, Piero Toso, I Solisti Veneti's 'Albinoni: Concerto a cinque in G Major, Op. 10 No. 4: II. Andante' came out on 1970. The duration of Albinoni: Concerto a cinque in G Major, Op. 10 No. 4: II. Andante is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Albinoni: Concerto a cinque in G Major, Op. 10 No. 4: II. Andante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 23 in Albinoni's Adagios by Tomaso Albinoni, Claudio Scimone, I Solisti Veneti. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Albinoni: Concerto a cinque in G Major, Op. 10 No. 4: II. Andante is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Albinoni: Concerto a cinque in G Major, Op. 10 No. 4: II. Andante by Tomaso Albinoni, Claudio Scimone, Piero Toso, I Solisti Veneti is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in D: 3. Allegro | Giovanni Battista Sammartini, Heinz Holliger, I Musici | D Major | 2 | 10B | 120 BPM | ||
Cello Concerto in B flat, G.482: 2. Adagio non Troppo | Luigi Boccherini, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Minor | 1 | 6A | 90 BPM | ||
Concerto for 2 Oboes, Strings and Basso Continuo in G Major, Op. 9 No. 6: II. Adagio non troppo | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | E Minor | 2 | 9A | 68 BPM | ||
Serenade in G, K.525 "Eine kleine Nachtmusik" - Orchestral version: 4. Rondo (Allegro) | Wolfgang Amadeus Mozart, I Musici, Pina Carmirelli | G Major | 3 | 9B | 124 BPM | ||
Sinfonia in C Major: I. Allegro | I Solisti di Zagreb, Anton Nanut | C Major | 3 | 8B | 118 BPM | ||
Trio Sonata in G Minor: II. Allegro un poco | Johann Friedrich Fasch, Danubius Ensemble | C Minor | 2 | 5A | 122 BPM | ||
Sonata in a minor, K.175 | Domenico Scarlatti, Gianluca Cascioli | A Major | 1 | 11B | 105 BPM | ||
Concerto grosso No. 12 in F Major, Op. 6: III. Adagio | Zagreb Soloists | D Minor | 0 | 7A | 58 BPM | ||
Keyboard Concertino in C Major, Hob.XIV:11: I. Vivace | Joseph Haydn, Sebastian Knauer, Cologne Chamber Orchestra, Helmut Muller-Bruhl | E Major | 1 | 12B | 131 BPM | ||
String Quartet in G Minor, Op. 32, No. 5: String Quartet in G Minor, Op. 32, No. 5: IV. Allegro giusto | Luigi Boccherini, Cuarteto Casals | G Minor | 2 | 6A | 129 BPM |
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