"Die Walküre: Ride of the Valkyries" by Richard Wagner, Eugene Ormandy, Philadelphia Orchestra was released on 1961. With this song being about 5 minutes long, at 4:59, "Die Walküre: Ride of the Valkyries" by Richard Wagner, Eugene Ormandy, Philadelphia Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 12 in Fright Night: Music That Goes Bump in the Night by The Philadelphia Orchestra, The Cleveland Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Die Walküre: Ride of the Valkyries is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Die Walküre: Ride of the Valkyries by Richard Wagner, Eugene Ormandy, Philadelphia Orchestra is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Tristan und Isolde, Act II, Scene 2: "O eitler Tagesknecht" (Tristan, Isolde) | Richard Wagner, Wilhelm Furtwängler, Kirsten Flagstad, Ludwig Suthaus, Philharmonia Orchestra | E Major | 3 | 12B | 173 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
Peter and the Wolf, Op. 67: The Bird | David Bowie, Eugene Ormandy | C Major | 1 | 8B | 134 BPM | ||
Barber: Adagio for Strings, Op. 11 | Samuel Barber, Eugene Ormandy, Philadelphia Orchestra | B♭ Minor | 1 | 3A | 80 BPM | ||
Das Rheingold: Scene 1: Prelude | Richard Wagner, Hans Hotter, Alfons Herwig, Josef Traxel, Ludwig Suthaus, Georgine Von Milinkovic, Gré Brouwenstijn, Gustav Neidlinger, Paul Kuen, Studio Chorus, Studio Orchestra, Hans Knappertsbusch | A♭ Major | 2 | 4B | 134 BPM | ||
Carmen Suite No. 2: II. Habanera | Georges Bizet, Slovak Philharmonic, Anthony Bramall | D Major | 0 | 10B | 133 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Apocalypse Now (Main Theme) | The Intermezzo Orchestra | G Major | 4 | 9B | 88 BPM | ||
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act 1 Scene 2: Nun sollt Ihr singen! | Richard Wagner, Maria Müller, Camilla Kallab, Max Lorenz, Jaro Prohaska, Josef Greindl, Benno Arnold, Helmut Fehn, Eugen Fuchs, Fritz Krenn, Gerhard Witting, Karl Krollmann, Herbert Gosebruch, Gustav Rödin, Franz Sauer, Alfred Dome, Erich Zimmermann, Erich Pina, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wilhelm Furtwängler | E Major | 2 | 12B | 85 BPM |
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