On June 17, 2022, the song "Goldberg Variations, BWV 988: Variatio 14 a 2 Clav." was released by Johann Sebastian Bach, Mahan Esfahani. The duration of Goldberg Variations, BWV 988: Variatio 14 a 2 Clav. is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Goldberg Variations, BWV 988: Variatio 14 a 2 Clav.'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 245 out of 350 in Bach: Classical Road Trip by Johann Sebastian Bach, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Goldberg Variations, BWV 988: Variatio 14 a 2 Clav. is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Goldberg Variations, BWV 988: Variatio 14 a 2 Clav. by Johann Sebastian Bach, Mahan Esfahani is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Ode for St. Cecilia's Day, HWV 76: Interlude | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Viola da gamba Sonata in G Major, BWV 1027 (Arr. for Cello & Piano): I. Adagio | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | D Major | 1 | 10B | 91 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Concerto Grosso No. 3 in F Major: IV. Largo | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 167 BPM | ||
Keyboard Concerto No. 6 in F Major, BWV 1057: III. Allegro assai | Johann Sebastian Bach, Murray Perahia, Academy of St. Martin in the Fields, Jeanne Dolmetsch, Marguerite Dolmetsch | F Major | 2 | 7B | 109 BPM | ||
Concerto In F Major For Flute & Strings, Op.10, No.1, RV 433 - "La tempesta di mare": 3. Presto | Antonio Vivaldi, Lisa Beznosiuk, The English Concert, Trevor Pinnock | E Major | 2 | 12B | 111 BPM | ||
Italian Concerto In F Major BWV 971, Italienisches Konzert, F Dur BWV 971: Allegro | Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach | E♭ Major | 5 | 5B | 95 BPM | ||
3 Etudes Opus 104b: No. 1 in B-Flat Minor | Felix Mendelssohn, Bertrand Chamayou | B♭ Minor | 1 | 3A | 52 BPM | ||
Giulio Cesare, HWV 17: Se pieta de mi non senti (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Minor | 1 | 4A | 83 BPM |
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