"Piano Concerto No. 21 In C Major, K. 467: II. Andante (with Singing of Birds )" by Nederica Stepan was released on October 6, 2009. Since Piano Concerto No. 21 In C Major, K. 467: II. Andante (with Singing of Birds ) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Restore The Central Nervous System (with singing of birds)". In this album, this song's track order is #1. The popularity of Piano Concerto No. 21 In C Major, K. 467: II. Andante (with Singing of Birds ) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 21 In C Major, K. 467: II. Andante (with Singing of Birds ) by Nederica Stepan having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderscenen, Op. 15: VII. Traumerei (Dreaming) | Robert Schumann, Evelyne Dubourg | E Minor | 1 | 9A | 174 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo Di Valse | Antonín Dvořák, Orpheus Chamber Orchestra | A Major | 0 | 11B | 85 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
Scheherezade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | G Major | 1 | 9B | 92 BPM | ||
Liebesträume, S. 541: No. 3 (Notturno) | Franz Liszt, Gerhard Oppitz | G Major | 0 | 9B | 64 BPM | ||
Csardas (arr. R. Pontinen and M. Frost) | Roland Pöntinen, Martin Fröst, Vittorio Monti | D Major | 2 | 10B | 97 BPM | ||
Violin Concerto, Op. 14: II. Andante - Instrumental | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 102 BPM | ||
Lieder Ohne Worte, Op.67 - No. 2. "Lost Illusions" (Sounds of Pigeons) | Nederica Stepan | F♯ Minor | 1 | 11A | 90 BPM | ||
The Gadfly, Op. 97: 3. Youth (Romance) | Dmitri Shostakovich, Erez Ofer, Philadelphia Orchestra, Riccardo Chailly | C Minor | 1 | 5A | 95 BPM | ||
Keyboard Concerto in F Major, Hob. XVIII:3: II. Largo | Joseph Haydn, Emanuel Ax, Franz Liszt Chamber Orchestra | C Major | 0 | 8B | 144 BPM |
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