"Das Rheingold, WWV 86a, Scene 4: Weiche, Wotan, weiche!" by Richard Wagner, Hans Swarowsky, Fritz Uhl, Gerald McKey, Naděžda Kniplová, Rolf Polke, Czech Philharmonic Orchestra was released on October 9, 2021. With this song being about 5 minutes long, at 5:10, "Das Rheingold, WWV 86a, Scene 4: Weiche, Wotan, weiche!" by Richard Wagner, Hans Swarowsky, Fritz Uhl, Gerald McKey, Naděžda Kniplová, Rolf Polke, Czech Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 50 Greatest Hits of Opera!, so we believe that "Das Rheingold, WWV 86a, Scene 4: Weiche, Wotan, weiche!" is a single. The popularity of Das Rheingold, WWV 86a, Scene 4: Weiche, Wotan, weiche! is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Das Rheingold, WWV 86a, Scene 4: Weiche, Wotan, weiche! by Richard Wagner, Hans Swarowsky, Fritz Uhl, Gerald McKey, Naděžda Kniplová, Rolf Polke, Czech Philharmonic Orchestra is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Maurerische Trauermusik, K.477 | Wolfgang Amadeus Mozart, London Symphony Orchestra, István Kertész | E Major | 1 | 12B | 151 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Intermezzo | Pietro Mascagni, James Levine | F Major | 2 | 7B | 84 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | ||
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM | ||
Anna Bolena: Sinfonia (Overture) | Gaetano Donizetti, Welsh National Opera Orchestra, Richard Bonynge | E Major | 3 | 12B | 146 BPM | ||
Norma: Overture | Vincenzo Bellini, Filarmonica della Scala, Riccardo Chailly | G Major | 2 | 9B | 144 BPM |
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