Pyotr Ilyich Tchaikovsky, Boston Symphony Orchestra, Seiji Ozawa made "Swan Lake, Op. 20, TH. 12 / Act I: No. 4d Pas de trois: Moderato" available on July 30, 2022. With Swan Lake, Op. 20, TH. 12 / Act I: No. 4d Pas de trois: Moderato being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 183 in BBQ Night with Tchaikovsky by Pyotr Ilyich Tchaikovsky, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Swan Lake, Op. 20, TH. 12 / Act I: No. 4d Pas de trois: Moderato's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Swan Lake, Op. 20, TH. 12 / Act I: No. 4d Pas de trois: Moderato by Pyotr Ilyich Tchaikovsky, Boston Symphony Orchestra, Seiji Ozawa is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
The Four Seasons - Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": III. Presto | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | G Major | 4 | 9B | 152 BPM | ||
Masquerade Suite: Romance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | B♭ Minor | 1 | 3A | 176 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Deux Arabesques, L66: No. 1: Andantino con moto | Claude Debussy, Kathryn Stott | E Major | 0 | 12B | 73 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act II: No. 14, Scene. Moderato | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Minor | 2 | 9A | 78 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D Major | 3 | 10B | 112 BPM | ||
Rimsky-Korsakov: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 0 | 9B | 86 BPM | ||
Solfeggietto in C Minor, H. 220 | Carl Philipp Emanuel Bach, Cyprien Katsaris | F Minor | 1 | 4A | 105 BPM |
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