"Male requiem dla pewnej polki (Little Requiem for a Certain Polka), Op. 66: I. Tranquillo" by Henryk Górecki, Anna Gorecka, Warsaw Philharmonic Orchestra, Antoni Wit was released on May 1, 2012. Male requiem dla pewnej polki (Little Requiem for a Certain Polka), Op. 66: I. Tranquillo appears to be safe for all ages as it is not explicit. The track order of this song in Henryk Górecki, Various Artists, Antoni Wit's "Górecki: Little Requiem for a Certain Polka - Concerto-Cantata - Harpsichord Concerto - 3 Dances" album is number 1 out of 13. In terms of popularity, Male requiem dla pewnej polki (Little Requiem for a Certain Polka), Op. 66: I. Tranquillo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Male requiem dla pewnej polki (Little Requiem for a Certain Polka), Op. 66: I. Tranquillo by Henryk Górecki, Anna Gorecka, Warsaw Philharmonic Orchestra, Antoni Wit to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rothko Chapel 4 | Morton Feldman | A Minor | 0 | 8A | 82 BPM | ||
The Unanswered Question | Charles Ives, Michael Tilson Thomas | C Major | 0 | 8B | 78 BPM | ||
Tartiniana seconda: I. Pastorale | Luigi Dallapiccola, Duccio Ceccanti, Roberto Prosseda | A Minor | 0 | 8A | 173 BPM | ||
Concord | Benjamin Britten, Matthew Barley | B♭ Major | 0 | 6B | 167 BPM | ||
Verklarte Nacht (Transfigured Night), Op. 4: Sehr langsam - | Arnold Schoenberg, Fred Sherry String Sextet | C Minor | 1 | 5A | 59 BPM | ||
Symphony No. 2, Op. 132, "Mysterious Mountain": II. Double Fugue | Alan Hovhaness, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 2 | 8A | 73 BPM | ||
Mother Of God | John Tavener, Filharmonie Brno | G Major | 1 | 9B | 80 BPM | ||
Light Moving | David Lang, Hilary Hahn, Cory Smythe | E Minor | 1 | 9A | 102 BPM | ||
Música Callada I | Federico Mompou, Javier Perianes | A Minor | 0 | 8A | 165 BPM | ||
Requiem for my Friend: Lacrimosa Day of Tears | Filharmonie Brno | D Minor | 1 | 7A | 124 BPM |
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