Johann Nepomuk Hummel, Matthias Rácz, North West German Philharmonic Orchestra, Johannes Klumpp's 'Bassoon Concerto in F Major, WoO 23, S63: III. Rondo: Vivace' came out on June 4, 2013. Since Bassoon Concerto in F Major, WoO 23, S63: III. Rondo: Vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Weber, Mozart & Hummel: Bassoon Concertos by Matthias Rácz, Johannes Klumpp. The song's track number on the album is #9 out of 10 tracks. Based on our statistics, Bassoon Concerto in F Major, WoO 23, S63: III. Rondo: Vivace's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Bassoon Concerto in F Major, WoO 23, S63: III. Rondo: Vivace by Johann Nepomuk Hummel, Matthias Rácz, North West German Philharmonic Orchestra, Johannes Klumpp has a tempo of 120 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Bassoon Concerto in F Major, WoO 23, S63: III. Rondo: Vivace being at 120 BPM, the half-time would be 60 BPM with a double-time of 240 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Minor for Two Violins, BWV 1043: Vivace | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | ||
Der Fischer und das Milchmädchen: III. Allegro furioso | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Piano Concerto No. 2 in A Major, S. 125: 4. Allegro animato - Stretto (molto accelerando) | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | A Major | 4 | 11B | 89 BPM | ||
Piano Sonata No. 5 In C Minor, Op. 10, No. 1: 1. Allegro molto e con brio | Ludwig van Beethoven, Daniel Barenboim | C Minor | 0 | 5A | 107 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: 2. Quasi adagio - Allegretto vivace - Allegro animato | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | B Major | 1 | 1B | 68 BPM | ||
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
Concerto for 2 Clarinets in E-Flat Major, Op. 35: III. Rondo | Franz Krommer, Kalman Berkes, Kaori Tsutsui, Nicolaus Esterhazy Sinfonia | E♭ Major | 2 | 5B | 146 BPM | ||
Duo for 2 Violins in D Major, Op. 67, No. 2: I. Allegro | Louis Spohr, Heinz Schunk, Ulrike Petersen | A Major | 1 | 11B | 122 BPM | ||
Havanaise, Op. 83 | Camille Saint-Saëns, Howard Zhang, Nicolaus Esterhazy Sinfonia, Takuo Yuasa | E Major | 2 | 12B | 76 BPM |
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