"Le poème de l'extase, Op. 54" by Alexander Scriabin, Chicago Symphony Orchestra, Pierre Boulez was released on January 1, 1999. Le poème de l'extase, Op. 54 appears to be safe for all ages as it is not explicit. There are a total of 5 in the song's album "Scriabin: Le Poème de l'extase; Piano Concerto; Prométhée". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, Le poème de l'extase, Op. 54 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le poème de l'extase, Op. 54 by Alexander Scriabin, Chicago Symphony Orchestra, Pierre Boulez having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sibelius : Violin Concerto in D minor Op.47 : I Allegro moderato | Jean Sibelius, Maxim Vengerov, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Major | 2 | 6B | 135 BPM | ||
4 Lyric Pieces, Op. 74: No. 4 Im alten Heim (In the Old Home) | Jean Sibelius, Håvard Gimse | D♭ Major | 0 | 3B | 60 BPM | ||
String Quartet in C Sharp Minor, Op. 131: I. Adagio ma non troppo e molto espressivo | Ludwig van Beethoven, Emerson String Quartet | F♯ Minor | 1 | 11A | 85 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto - Allegretto | Béla Bartók, Fritz Reiner, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 120 BPM | ||
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
Pictures At An Exhibition: Promenade I | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F Major | 1 | 7B | 79 BPM | ||
Scheherazade, Op. 35: III. Andantino quasi allegretto | Nikolai Rimsky-Korsakov, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 147 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Dutilleux: Sonatine for Flute and Piano: II. Andante espressivo - | Henri Dutilleux, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 1 | 3A | 88 BPM |
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