"Concierto de Aranjuez: II. Adagio" by Joaquín Rodrigo, Narciso Yepes, Ataúlfo Argenta, Orquesta Nacional De España was released on November 15, 2014. Since Concierto de Aranjuez: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 11 in Concierto de Aranjuez y Otras Obras para Guitarra (Reedición de Grabación Histórica) by Joaquín Rodrigo, Narciso Yepes, Marcos Socías, Ignacio Rodes, Ataúlfo Argenta, Orquesta Nacional De España. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Concierto de Aranjuez: II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concierto de Aranjuez: II. Adagio by Joaquín Rodrigo, Narciso Yepes, Ataúlfo Argenta, Orquesta Nacional De España is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Satie / Arr. Barker & Balsom: 3 Gymnopédies: No. 3, Lent et grave | Erik Satie, Alison Balsom, Guy Barker, Guy Barker Orchestra | G Minor | 0 | 6A | 170 BPM | ||
Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, LSO Wind Ensemble | E♭ Major | 0 | 5B | 65 BPM | ||
The Gadfly Suite, Op. 97a: Romance | Dmitri Shostakovich, Nemanja Radulović, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | D♭ Major | 1 | 3B | 135 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
Thaïs / Act 2: Méditation | Jules Massenet, Joshua Bell, Royal Philharmonic Orchestra, Andrew Litton | E Minor | 1 | 9A | 77 BPM | ||
Abreu / Arr. Suba: Tico-Tico no Fubá | Zequinha De Abreu, Camille Berthollet, Julie Berthollet, Julien Masmondet, Monte-Carlo Philharmonic Orchestra | G Major | 3 | 9B | 129 BPM | ||
The Pearl Fishers, WD 13: Je crois entendre encore (Arr. for Violin & Orchestra) | Georges Bizet, Joshua Bell, Michael Stern, Orchestra of St. Luke's | A Minor | 1 | 8A | 72 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM |
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