"Fidelio Op. 72 / Act 1: "Jetzt, Alter, jetzt hat es Eile!"" by Ludwig van Beethoven, Dietrich Fischer-Dieskau, Gottlob Frick, Bavarian State Orchestra, Ferenc Fricsay was released on November 14, 2020. With this song being about 5 minutes long, at 4:48, "Fidelio Op. 72 / Act 1: "Jetzt, Alter, jetzt hat es Eile!"" by Ludwig van Beethoven, Dietrich Fischer-Dieskau, Gottlob Frick, Bavarian State Orchestra, Ferenc Fricsay is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 165 out of 204 in Beethoven Legendary Recordings by Ludwig van Beethoven. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Fidelio Op. 72 / Act 1: "Jetzt, Alter, jetzt hat es Eile!" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fidelio Op. 72 / Act 1: "Jetzt, Alter, jetzt hat es Eile!" by Ludwig van Beethoven, Dietrich Fischer-Dieskau, Gottlob Frick, Bavarian State Orchestra, Ferenc Fricsay is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace | Ludwig van Beethoven, Nicolaus Esterhazy Sinfonia, Béla Drahos | E♭ Major | 2 | 5B | 171 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Hungarian Dance No.2 In D Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 69 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM |
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