"Tosca, S. 69, Act III: E lucevan le stelle" by Giacomo Puccini, Nils Grevillius, Jussi Björling, Stockholm Royal Court Orchestra was released on October 9, 2021. The duration of Tosca, S. 69, Act III: E lucevan le stelle is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Tosca, S. 69, Act III: E lucevan le stelle's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 50 Greatest Hits of Opera!, so we believe that "Tosca, S. 69, Act III: E lucevan le stelle" is a single. In terms of popularity, Tosca, S. 69, Act III: E lucevan le stelle is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tosca, S. 69, Act III: E lucevan le stelle by Giacomo Puccini, Nils Grevillius, Jussi Björling, Stockholm Royal Court Orchestra is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
Caro mio ben | Tomasso Giordani, Cecilia Bartoli, György Fischer | E♭ Major | 0 | 5B | 74 BPM | ||
Ma rendi pur contento | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | A♭ Major | 1 | 4B | 79 BPM | ||
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
Lehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna) | Franz Lehár, Karita Mattila, London Philharmonic Orchestra, Yutaka Sado | G Major | 1 | 9B | 176 BPM | ||
West Side Story: XIII. Somewhere | Leonard Bernstein, Marilyn Horne, Orchestra | E Major | 1 | 12B | 88 BPM | ||
Madama Butterfly / Act 2: Un bel dì vedremo | Giacomo Puccini, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | D♭ Major | 1 | 3B | 77 BPM | ||
Rusalka, Op. 114, B. 203, Act I: Lieblicher Mond (Song to the Moon) | Antonín Dvořák, Emalie Savoy, Brandenburg State Orchestra Frankfurt, Matthias Foremny | F♯ Major | 1 | 2B | 63 BPM | ||
Soli soli nella notte | Leo Nucci, Salotto Ottocento Ensemble | F Major | 3 | 7B | 64 BPM | ||
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM |
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