Biagio Marini, London Baroque's 'Per ogni sorte di strumento musicale diversi generi di sonate, Op. 22: No. 21, Sonata sopra "Fuggi dolente core"' came out on November 6, 2012. The duration of Per ogni sorte di strumento musicale diversi generi di sonate, Op. 22: No. 21, Sonata sopra "Fuggi dolente core" is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Per ogni sorte di strumento musicale diversi generi di sonate, Op. 22: No. 21, Sonata sopra "Fuggi dolente core"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "The Trio Sonata in 17th-Century Italy". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Sweden. Per ogni sorte di strumento musicale diversi generi di sonate, Op. 22: No. 21, Sonata sopra "Fuggi dolente core" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Per ogni sorte di strumento musicale diversi generi di sonate, Op. 22: No. 21, Sonata sopra "Fuggi dolente core" by Biagio Marini, London Baroque having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Manuscrit Panmure: Grande Chaconne in G Major | Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne | D♭ Major | 0 | 3B | 78 BPM | ||
Quinta a 4, Canto Alto Tenor Basse | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | B♭ Major | 2 | 6B | 116 BPM | ||
The Lady of Sussex Delight | Tobias Hume, Guido Balestracci, Les Basses Réunies, Bruno Cocset | E Major | 1 | 12B | 92 BPM | ||
Suite in E Minor: VII. La Montsermeil - Rondeau | Robert de Visée, Yasunori Imamura | D Minor | 1 | 7A | 49 BPM | ||
Sonata Sexta in F Minor for Violin: II. Allegro | Daniel Purcell, La Rêveuse, Florence Bolton, Benjamin Perrot, Stephan Dudermel | B♭ Minor | 0 | 3A | 135 BPM | ||
Sonata in F, TWV 41 F3: I. Andante | Georg Philipp Telemann, Jared Hauser, Christopher Stenstrom, Francis Perry, Polly Brecht | F Minor | 0 | 4A | 125 BPM | ||
Sonata No.6 in D Major, Op. 50: I. Largo | Joseph Bodin de Boismortier, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Johannes-Passion, BWV 245.1: 30. Aria: Es ist vollbracht | Johann Sebastian Bach, Andreas Reize, Akademie für Alte Musik Berlin, Konrad Führer | A Minor | 2 | 8A | 125 BPM | ||
Baryton Trio in C Major, Hob. XI:93: I. Allegro di molto | Joseph Haydn, Valencia Baryton Project | B Major | 2 | 1B | 94 BPM | ||
Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: III. Andante [Passacaglia] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Florence Bolton, Benjamin Perrot | F♯ Minor | 2 | 11A | 130 BPM |
Section: 0.7681472301483154
End: 0.7730913162231445