"Quatour à cordes No. 1, Op. 5: II. Intime, contenu" by Darius Milhaud, Galatea Quartet was released on March 21, 2014. With this song being about 5 minutes long, at 5:15, "Quatour à cordes No. 1, Op. 5: II. Intime, contenu" by Darius Milhaud, Galatea Quartet is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 11 in Belle Epoque - French Works for String Quartet by Galatea Quartet. In terms of popularity, Quatour à cordes No. 1, Op. 5: II. Intime, contenu is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quatour à cordes No. 1, Op. 5: II. Intime, contenu by Darius Milhaud, Galatea Quartet is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introduction et Rondo capriccioso, Op.28, R. 188 | Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta | A Minor | 1 | 8A | 103 BPM | ||
Belshazzar's Feast, JS 48: Act II: Prelude: Nocturno | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | D♭ Major | 0 | 3B | 81 BPM | ||
St. Paul's Suite, Op. 29, No. 2: I. Jig | Gustav Holst, English Sinfonia, Howard Griffiths | D Minor | 3 | 7A | 78 BPM | ||
Symphony No. 1 in G Minor: II. Andante commodamente | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 0 | 5B | 75 BPM | ||
Symphony No. 1 in D Major "Titan": II. Kräftig bewegt, doch nicht zu schnell | Gustav Mahler, Czech Philharmonic, Semyon Bychkov | A Major | 1 | 11B | 139 BPM | ||
Contrasts for Violin, Clarinet & Piano, BB116 (Sz.111): 1. Verbunkos. Moderato, ben ritmato | Béla Bartók, Arvid Engegard, Elmar Schmid, András Schiff | E Major | 0 | 12B | 74 BPM | ||
Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM | ||
Sonate pour basson, Op. 168: I. Allegretto moderato | Camille Saint-Saëns, Marc Trenel, Pascal Godart | G Major | 1 | 9B | 67 BPM | ||
Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | ||
String Quartet No. 1, Op. 5: IV. Vif, tres rythme | Darius Milhaud, Petersen Quartet | C Minor | 1 | 5A | 116 BPM |
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