"Cello Concerto: II. Adagio" by Ernest John Moeran, Guy Johnston, Ulster Orchestra, Joann Falletta was released on April 2, 2013. Since Cello Concerto: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ernest John Moeran, Joann Falletta's "Moeran: Cello Concerto - Serenade" album is number 2 out of 13. On top of that, Hong Kong appears to be the country where this track was created. Cello Concerto: II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cello Concerto: II. Adagio by Ernest John Moeran, Guy Johnston, Ulster Orchestra, Joann Falletta to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 English Idylls: No. 1. English Idyll | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | F Major | 1 | 7B | 141 BPM | ||
Appalachian Spring: VI. Meno mosso | Aaron Copland, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 143 BPM | ||
Épitaphe de Jean Harlow, Op. 164 | Charles Koechlin, Tatjana Ruhland, Yaara Tal, Libor Šíma | E♭ Major | 1 | 5B | 73 BPM | ||
Requiem, Op. 9: I. Introit (1961 Version) | Maurice Duruflé, Stephen Cleobury, Choir of King's College, Cambridge, Orchestra of the Age of Enlightenment | F Major | 0 | 7B | 132 BPM | ||
The Lover and his Lass | Ernest John Moeran, Carolyn Sampson, Roderick Williams, Joseph Middleton | A♭ Major | 3 | 4B | 91 BPM | ||
2 Aquarelles: Gaily, but not quick | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | D Major | 1 | 10B | 76 BPM | ||
String Quartet No. 1 in A Minor: I. Allegro. Lento. Tempo primo | Ernest John Moeran, Maggini Quartet | F♯ Minor | 1 | 11A | 117 BPM | ||
O sacrum convivium! | Olivier Messiaen, Choir of New College, Oxford, Edward Higginbottom | F♯ Major | 0 | 2B | 127 BPM | ||
L'Horloge de Flore: 3h - Galant de jour | Jean Françaix, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | A Minor | 1 | 8A | 90 BPM | ||
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM |
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