"Berg: Three Pieces for Orchestra, Op. 6: I. Präludium" by Alban Berg, San Francisco Symphony, Michael Tilson Thomas was released on February 26, 2021. Berg: Three Pieces for Orchestra, Op. 6: I. Präludium is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. The song is number 10 out of 12 in Berg: Violin Concerto, Seven Early Songs & Three Pieces for Orchestra by Alban Berg, San Francisco Symphony, Michael Tilson Thomas. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Berg: Three Pieces for Orchestra, Op. 6: I. Präludium's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Berg: Three Pieces for Orchestra, Op. 6: I. Präludium by Alban Berg, San Francisco Symphony, Michael Tilson Thomas is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Lulu / Act 1: "Eva!" - "Befehlen?" - "Ich finde, du siehst heute reizend aus" | Alban Berg, Teresa Stratas, Robert Tear, Orchestre de l'Opéra de Paris, Pierre Boulez | A♭ Major | 0 | 4B | 104 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 16: II. Scherzo. Vivace | Sergei Prokofiev, Neeme Järvi, Royal Concertgebouw Orchestra, Horacio Gutiérrez | G Major | 1 | 9B | 101 BPM | ||
Sieben frühe Lieder: I. Nacht | Alban Berg, Malin Byström, Stefan Solyom | A♭ Major | 2 | 4B | 70 BPM | ||
Études, Book 1: No. 6, Automne à Varsovie | György Ligeti, Pierre-Laurent Aimard | A♭ Major | 1 | 4B | 75 BPM | ||
Das Lied von der Erde: Der Einsame im Herbst | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | B♭ Major | 0 | 6B | 134 BPM | ||
Ma mère l'oye, ballet, M. 62: Interlude | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | A Minor | 0 | 8A | 97 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: II. Variations A-D, Woodwinds. Presto - Lento - Moderato - Allegro alla marcia | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | C Major | 0 | 8B | 66 BPM | ||
Symphony No.2: 1. Andante moderato | Charles Ives, New York Philharmonic, Leonard Bernstein | D Major | 1 | 10B | 112 BPM | ||
Fünf Lieder: Ich Wandle Unter Blumen | Alma Mahler, Barbara Hannigan, Reinbert de Leeuw | F♯ Major | 0 | 2B | 75 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 1. Allegro ma non troppo | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 99 BPM |
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